199 records — Page 5 of 20
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Creators:
Print Council of America
Dates:
1951-2020
Size:
24.5 Linear feet
3.02 Gigabytes
Collection ID:
AAA.princoun
Repository:
Archives of American Art

The records of the Print Council of America measure 24.5 linear feet and 3.02 GB, and date from 1951 to 2020. The collection includes administrative files, correspondence and subject files, interviews, some in digital format, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.

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Creators:
Brodsky, Stan, 1925-
Dates:
1951-2004
Size:
2 Linear feet
Collection ID:
AAA.brodstan
Repository:
Archives of American Art

The Stan Brodsky papers measure 2 linear feet and date from 1951 through 2004. The collection reflects Brodsky's career as a painter and educator through biographical material, letters, printed material, and sketchbooks. Also found are photographs of the artist, slides of his artwork, and sound and video recordings.

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Creators:
Day, Worden, 1916-1986
Dates:
circa 1935-1992
Size:
3.5 Linear feet
Collection ID:
AAA.dayword
Repository:
Archives of American Art

The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material. There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.

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Creators:
Biddle, Livingston, 1918-2002
Dates:
circa 1940-2002
Size:
40.2 Linear feet
Collection ID:
AAA.biddlivi
Repository:
Archives of American Art

The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.

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Creators:
Shahn, Ben, 1898-1969
Dates:
1879-1990
bulk 1933-1970
Size:
24.8 Linear feet
Collection ID:
AAA.shahben
Repository:
Archives of American Art

The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 24.8 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

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Creators:
Servicemembers Legal Defense Network
Dates:
1975-2009, undated
bulk 1993-2008
Size:
7.5 Cubic feet (23 boxes)
Collection ID:
NMAH.AC.1282
Repository:
Archives Center, National Museum of American History

This collection contains records and research material produced and collected by Servicemembers Legal Defense Network (SLDN), a lobbying and legal assistance organization for lesbian, gay, bisexual, and transgender servicepersons. They were instrumental in overturning the United States Department of Defense's "Don't Ask, Don't Tell" policy.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2001
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2001
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Semmel, Joan, 1923-
Dates:
1949-2013
bulk 1960-2013
Size:
5.9 Linear feet
Collection ID:
AAA.semmjoan
Repository:
Archives of American Art

The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

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Creators:
Begun, S. Joseph (Semi Joseph), 1905-1995
Dates:
1888-2000
bulk 1927-1995
Size:
21 Cubic feet (46 boxes)
Collection ID:
NMAH.AC.0535
Repository:
Archives Center, National Museum of American History

Semi Joseph Begun was a pioneer in magnetic recording. The papers document Begun's professional career in the field of magnetic recording.

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Creators:
Liebhold, Peter
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Dates:
1995-1996
Size:
2.5 Cubic feet (9 boxes )
Collection ID:
NMAH.AC.0609
Repository:
Archives Center, National Museum of American History

The Gerber Fabric Cutter S-70 is part of a systematic approach to layout and cutting that has revolutionized the needle trades. This video history contains original, master, and reference videos, Dictaphone microcassettes, and tape digests and notes documenting the development, operation and use of the Gerber Fabric Cutter S-70 in three locations: H.I.S., Inc., in Bruceton, Tennessee (Chic blue jeans use of cuter); General Motors in Grand Rapids, Michigan (automotive use of the cutter); and Gerber Scientific Instrument Company in Hartford, Connecticut (Gerber corporate office and invention factory). The video footage documents H. Joseph Gerber, engineers, assembly workers, operators, and other technicians who worked with the cutter at the three locations. The footage from the Tennessee and Michigan sites provides insight into the complexity of introducing a new technology into the workplace and documents operators and managers discussing the effect of the cutter on workflow, quality, personnel, and attitudes towards the job. The footage from the Connecticut site documents the engineers who developed the cutter and provides valuable insight into the invention process. This collection includes oral history audio tapes, original, master, and reference videos, and notes documenting visits to Bruceton, Tennessee, Grand Rapids, Michigan, and Hartford, Connecticut.

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199 records — Page 5 of 20