309 records — Page 5 of 31
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Creators:
Heller, Edmund, 1875-1939
Dates:
circa 1898-1918
Size:
6.19 cu. ft. (8 document boxes) (1 16x20 box) (4 5x8 boxes) (1 oversize folder)
Collection ID:
Record Unit 7179
Repository:
Smithsonian Institution Archives

These papers primarily contain photographs, journals, maps, manuscripts, postcards, and related materials concerning Heller's collecting activities from 1908 to 1917. There are also some personal photographs and material as well as photographs taken by Heller at the National Zoological Park of personnel and animals.

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Creators:
Davis, E. H. (Edwin Hamilton), 1811-1888
Plunket, James
Dates:
1858
Size:
92 Sheets
1 Item (black portfolio )
Collection ID:
NAA.MS3146A
Repository:
National Anthropological Archives

Drawings of antique objects found in mounds, tombs, and ancient cities of America, arranged, classified and described by Dr. Davis. Material also includes typed list of drawings and notes - 10 pages. Five deteriorating acetate negatives that originally came with the collection have been discarded. Four were copy negatives of some of the drawings. T...

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Creators:
Gero, Joan M.
Conkey, Margaret Wright, 1944-
Dates:
1987-2001
Size:
0.42 Linear feet (2 boxes)
50 negatives (photographic) (1 folder)
26 Photographic prints (1 folder)
14 cassette tapes (1 box)
Collection ID:
NAA.2016-05
Repository:
National Anthropological Archives

The Joan M. Gero papers of the "Women and Production in Prehistory" Conference primarily document the work of Joan M. Gero (archaeologist known for her work in feminist, socio-political, and Andean archaeology) and co-organizer, Margaret W. Conkey, to organize the "Women and Production in Prehistory" Conference that took place April 5-9, 1988 at The Wedge Plantation in South Carolina (sometimes referred to as the "Wedge Conference"). The collection comprises Joan Gero's documentation pertaining to the conference, as well as it's promotion and publication in the seminal volume Engendering Archaeology: Women and prehistory. The collection consists of grant proposals and reports, program and participant information, photographs of the conference, audiotape recordings of papers presented, conference publicity and press clippings, correspondence between Gero and co-organizer Margaret W. Conkey, correspondence with Blackwell Publishers about the publication and royalties, and reviews of Engendering Archaeology: Women and prehistory.

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Creators:
Hrdlička, Aleš, 1869-1943
Pepper, George H. (George Hubbard), 1873-1924
Lumholtz, Carl, 1851-1922
Dates:
1898-1902
Size:
588 Photographic prints
190 Copy negatives
Collection ID:
NMAI.AC.103
Repository:
National Museum of the American Indian

This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).

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Creators:
Stewart, T. D. (Thomas Dale), 1901-1997
Dates:
1875-1991, bulk 1931-1991
bulk 1927-1991
Size:
65 Linear feet
Collection ID:
NAA.1988-33
Repository:
National Anthropological Archives

Thomas Dale Stewart was a physical and forensic anthropologist and worked at the Smithsonian National Museum of Natural History from 1931 until his death in 1997. He worked under Ales Hrdlicka until 1943, became the head curator in 1960, director of the museum in 1962, and retired in 1971. Stewart's research interests included physical and forensic anthropology and archaeology, mostly in North and South America. He also worked with the F.B.I. frequently to aid in homicide investigations, and worked extensively with the U.S. Army to identify skeletal remains from the Korean War in Operation Glory. The Thomas Dale Stewart Papers primarily deal with his life and career at the Smithsonian, particularly his research projects and publications between 1931 and 1991. Materials consist mainly of correspondence, photographic material, dossiers based on writings and research projects, and administrative files.

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Creators:
Patterson, M. Marvin Breckinridge
Dates:
1932, circa 1960s-1970s
bulk 1932
Size:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Collection ID:
EEPA.1985-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

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Creators:
Arias, Roger
United States. Dept. of State
Arias, Clotilde, 1901-1959
Thompson, J. Walter (advertising agency).
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Dates:
1919-1957
2009
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1164
Repository:
Archives Center, National Museum of American History

This collection documents the life and career of Peruvian musician, composer, and translator Clotilde Arias. Her work includes a Department of State-commissioned translation of "The Star-Spangled Banner" titled "El Pendón Estrellado", advertising jingles, original compositions, and translations of music originally written in English. She also was heavily involved in numerous Pan-American organizations including La Unión de Mujeres Americanas/United American Women.This collection contains correspondence, music manuscripts, photographs,newspaper clippings and printed materials, and four compact discs.

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Creators:
Roebling, Charles Gustavus, 1849-1918
Roebling, Ferdinand W. (Ferdinand William), 1842-1917
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
John A. Roebling's Sons Company
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Dates:
1836-1975
bulk 1930-1950
Size:
18.5 Cubic feet (62 boxes)
Collection ID:
NMAH.AC.0981
Repository:
Archives Center, National Museum of American History

Collection documents the work of the John A. Roebling's Sons Company, builders of bridges. The materials consist primarily of photograph albums documenting some of the bridges, tramways, ski lifts and chair lifts that Roebling's Sons Company was involved with. The documentation also includes specifications, patents, and reference materials about the engineering process of building bridges and bridges in general.

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Creators:
Ortner, Donald J.
Dates:
1963-2013
Size:
44.37 Linear feet (96 boxes, 3 map-folders)
Collection ID:
NAA.2014-07
Repository:
National Anthropological Archives

The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.

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Creators:
Akers, Adela, 1933-
Dates:
1960-2009
Size:
2.6 Linear feet
Collection ID:
AAA.akeradel
Repository:
Archives of American Art

The papers of fiber artist and educator Adela Akers measure 2.6 linear feet and date from 1960 to 2009. Her career as an artist and her tenure at the Tyler School of Art, Temple University, are documented through scattered biographical material; correspondence; subject files on galleries, projects, weaving technique, research, workshops, and fiber arts organizations; writings; exhibition announcements, clippings, and other printed material; photographs; and artwork, including one sketchbook.

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309 records — Page 5 of 31