Lena Gurr papers
The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.
James McNeill Whistler collection
The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.
Bernard A. Pfriem papers
The papers of painter and educator Bernard A. Pfriem measure 8.4 linear feet and date from 1932-1995. The material documents Pfriem's career through biographical material, general and business correspondence, writings, subject files, printed matter, photographic material, sound, film, and video recordings, and artwork. A large portion of the papers concern Pfriem's tenure as founder and director of the Lacoste School of the Arts in Provence, France.
Thornton Oakley papers
Correspondence, artist files and subject files relate to Oakley's activities as an artist and illustrator, and his involvement with numerous art organizations, including the Philadelphia Art Alliance, the Philadelphia Water Color Club, the Artists' War Relief Committee of Philadelphia, and the Exposition of Indian Tribal Arts. Artist files on Cecilia …
Charles Allan and Alice Beach Winter papers
Winter, Alice Beach, 1877-ca. 1970
The papers of New York City and Gloucester, Massachusetts painters Charles Allan Winter (1869-1942) and Alice Beach Winter (1877-1970) measure 6.7 linear feet and date from circa 1890-1949, and circa 1974. The papers include biographical material, news clippings, a scrapbook of illustrations by Charles Allan Winter published in Cosmopolitan magazine, original artwork, and photographic prints, acetate negatives, and 699 glass plate negatives of the Winters, their artist friends, family, and artwork.
Jean Crotti papers
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Ed Clark papers
The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.
Paul Burlin papers
The papers of painter Paul Burlin measure 5.1 linear feet and date from 1884-1974, with the bulk of the records dating from the 1910s-1968. The records document Burlin's career through biographical material including sound recordings of interviews, general correspondence, writing files, personal business records, printed material, photographs, and some artwork.
Frederick William MacMonnies papers
The papers of sculptor Frederick William MacMonnies date from 1874 to 1997 and measure 7.0 linear feet. Found within the papers are biographical material, a diary, correspondence, personal business records, project files, two sketchbooks and sketches, writings, printed material, and photographs. Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame, as well as clippings regarding her research and a copy of the book.
Harriet Blackstone papers
The papers of painter Harriet Blackstone date from 1870-1984 and measure 5.4 linear feet. The collection provides documentation of Harriet Blackstone's career through scattered biographical material; personal and professional correspondence, including letters from Maria Oakey Dewing, Thomas Wilmer Dewing, Alice Tisdale Hobart, Joseph Cummings Chase, Stell Anderson, Mary Landis, Esther Morgan McCullough …