The papers of Connecticut painter, educator, photographer, and watercolorist Roger Crossgrove measure 21.1 linear feet and date from 1888 to 2012 with the bulk of the collection dating from 1950 to 2006. The collection consists of biographical material, correspondence, writings and notes, professional files, teaching files, subject files, exhibition files, printed materials, personal business records, artwork, sketchbooks, and photographic materials.

Goya Foods, Inc., supported the cultural life of various communities in the United States and Puerto Rico. The company's current headquarters is in Secaucus, New Jersey. Photographs, calendars, sales promotional materials, cookbooks, packaging, and news clippings. Photographs depict primarily company sponsored events, but a few are family pictures.

The papers of New York City photographer, conceptual artist, and musical composer Cosmos Sarchiapone measure 49.2 linear feet and 0.367 GB and date from circa 1860-2011, with the bulk of the materials dating from 1940-2011. The collection includes biographical material and personal business records; correspondence; extensive writings, including written and recorded music compositions; teaching files; printed material and published sound and video recordings; photographic material; artwork; artifacts; and unpublished sound recordings and born-digital material. Highlights of the collection are more than 40,000 photographic images documenting New York's avant-garde art scene of the 1970s, along with celebrity parties, concerts, exhibition openings and other occasions in the art, music, and theater world. Extensive and somewhat rare printed materials offer users a visual chronical of the downtown art world in the form of posters from the 1970s, including a number of Milton Glaser's, and hundreds of exhibition announcements, theater programs, and playbills.

The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.

The papers of New York painter, calligrapher, and educator, Nanae Momiyama measure 3.0 linear feet and date from 1928-circa 2000, with the bulk of the materials dating from 1948-1990s. The collection traces Momiyama's career as a first wave post-World War II Japanese-American artist through biographical material, correspondence, writings and notes, business records, printed material, scrapbooks, sketches and sketchbooks, and photographs.

The papers of painter and educator Robin Tewes measure 8.4 linear feet and date from 1950-2016. The collection documents the life of a veteran New York artist, active in artist run galleries, such as Fifth Street Gallery, and in artists' organizations. Among the papers are biographical material, correspondence, nine notebooks, project files, teaching files, personal business records, printed material, photographic material, artwork, nine sketchbooks, and a few artifacts.

Bobby Short was a singer and pianist whose career spanned seven decades. An interpreter of American popular music, he became a performer in childhood and remained active until his death. He is best known for his more than 35 years as performer-in-residence at the Hotel Carlyle's Café Carlyle in New York City. This collection contains personal papers and photographs as well as business papers, musical materials and photographs relating to Mr. Short's career as a performing artist.

The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

Papers relating to Virginia "Jimmie" Booth's career as a buyer for Lord and Taylor, where she worked for Dorothy Shaver. Papers include correspondence; photographs; original drawings by designer Clare Potter; printed material including articles, magazine advertising and catalogs; a scrapbook of clippings and memorabilia.

This collection documents the design, testing, production and promotion of the first zero-emission electric car produced by a major car company, the General Motors EV1. The materials include photographs, promotional booklets and marketing, press coverage, and publications, as well as design details and specifications, describing the process by which this ambitious and controversial vehicle was produced and released to the public in the mid- to late 1990s. This collection would be of interest to researchers in the areas of innovative design, automobile marketing, environmental initiatives, and the automotive industry.