119 records — Page 5 of 12
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Creators:
National Museum of American History. Office of Curatorial Affairs
Dates:
1994-2011
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 13-194
Repository:
Smithsonian Institution Archives

This accession consists of records which document the oversight and review process at the National Museum of American History (NMAH) in regards to exhibitions, public programs, symposia, websites, productions, and performances. In particular, the activities of the Exhibitions and Program Committee (EPC) which was created in 1996. The EPC ...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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Creators:
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1902-1995, undated
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 primarily includes historical and background information about the family and studio, reference materials relating to the photography trade, and information pertaining to publications and exhibitions that used Scurlock photographs. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 Slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Creators:
National Museum of American History. Program in African American Culture
Dates:
1972-1999
Size:
6 cu. ft. (6 record storage box)
Collection ID:
Accession 08-107
Repository:
Smithsonian Institution Archives

This accession consists of the records of the Program in African American Culture (PAAC) and document planning for exhibitions, conferences, symposiums, music performances, and special events. Some earlier records date back to when PAAC was known as the Program in African American History and the Program in Black American Culture (PBAC), respe...

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Freeman, Ethel Cutler, 1886-1972
Dates:
1934-1972
Size:
61.03 Linear feet (114 boxes)
Collection ID:
NAA.XXXX.0166
Repository:
National Anthropological Archives

Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.

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Creators:
Storrs, John Henry Bradley, 1885-1956
Dates:
1790-2007
bulk 1900-1956
Size:
20.44 Linear feet
Collection ID:
AAA.storjohn
Repository:
Archives of American Art

The papers of sculptor, painter, and printmaker John Henry Bradley Storrs measure 20.44 linear feet and date from 1790-2007, with the bulk of the papers dating from 1900 to 1956. The collection contains biographical material, correspondence, personal business records, forty-eight diaries of John Storrs, a few diaries of other family members, additional writings, printed material, photographs of Storrs and his family and friends, artwork, scrapbooks, estate records, and video recordings. Correspondence includes that of John Storrs, Marguerite Storrs, and the Storrs family.

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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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119 records — Page 5 of 12