90 records — Page 5 of 9
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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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Creators:
Beals, Ralph L. (Ralph Leon), 1901-1985
Dates:
1919 - 1970
Size:
48 Linear feet
Collection ID:
NAA.1980-54A
Repository:
National Anthropological Archives

The Beals papers in the National Anthropological Archives include field notes, correspondence, printed materials, copies of historical documents, drafts and final manuscripts of writings, photographs, and cartographic materials. Most relate to research projects and sometimes include materials of colleagues and assistants. Especially notable is the abundant material regarding Oaxaca markets. There are some materials relating to aspects of Beals's career other than his research but they are generally widely distributed throughout the collection. Materials relating to events that happened to occur at the time of certain field work are often interfiled with the material relating to that certain field work. There are also some personal materials included. Conspicuously missing from the papers are notes on Beals's archeological work, which he has retained. There are relatively few materials relating to his teaching career, although some of the letters exchanged with Alfred Louis Kroeber concern the establishment of anthropology at the University of California at Los Angeles; and correspondence with students in the field concerns teaching as well as research activities. A typesript of notes on the Nisenan are at the Bancroft Library of the University of California at Berkeley. Some of the letters concern Elsie Clews Parsons and Carlos Castenada.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, clif...

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Creators:
Gifford, Sanford Robinson, 1823-1880
Dates:
1840s-1900
circa 1960s-1970s
Size:
0.9 Linear feet
Collection ID:
AAA.giffsanf
Repository:
Archives of American Art

The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

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Creators:
Baker, Mildred, 1905-
Dates:
1882
1923-1997
Size:
2.7 Linear feet
Collection ID:
AAA.bakemild
Repository:
Archives of American Art

The papers of arts administrator Mildred Baker measure 2.7 linear feet and date from 1882 to 1997, with the bulk of the material dating from 1923 to 1997. Found within the papers are biographical materials; personal and professional correspondence; writings; files related to her work on the WPA Federal Art Project and other institutional art projects; printed material; photographs of Baker; and photographs and papers related to the work of her husband, Jacob Baker, who also administered programs for the WPA.

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Creators:
Powell, John Wesley, 1834-1902
Dates:
1869-1872
Collection ID:
NAA.MS1795A
Repository:
National Anthropological Archives

Previously titled "Journals." Volumes 1-11 (Number 7 missing).

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
Meggers, Betty Jane
Evans, Clifford, 1920-1981
Dates:
1893-2012
Size:
129 Linear feet
Collection ID:
NAA.2013-01
Repository:
National Anthropological Archives

The Betty J. Meggers and Clifford Evans Papers document their research and professional activities from 1946-2012 and primarily deal with their archaeological and anthropological research in South America. Their work at the Smithsonian National Museum of Natural History and their frequent collaboration with other researchers and professional organizations is also represented. In addition, this collection contains detailed records on South American research conducted by the Smithsonian Institution from the 1950s through the 2010s. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, correspondence, maps and charts, and administrative files.

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Dates:
1985-1995
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 01-171
Repository:
Smithsonian Institution Archives

These records document the interaction and relationship between Milo Cleveland Beach, Director (1987-2001), and prominent friends of the Freer Gallery of Art and Arthur M. Sackler Gallery. Records also document Beach's activities related to the negotiation for and acquisition of the Vever Japanese print collection. Henri Vever's collection of...

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90 records — Page 5 of 9