107 records — Page 5 of 11
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Creators:
Druse, Kenneth
Dates:
1978-2005
Size:
18.75 Cubic feet (15 boxes, Approximately 45,000 images: 35,000 transparencies + 10,000 35mm slides.)
Collection ID:
AAG.DRU
Repository:
Archives of American Gardens

The Ken Druse Garden Photography Collection contains approximately 45,000 film transparency and 35mm slide images, dating from 1978 to 2005, of gardens, garden features, and flora photographed by garden writer and photographer Ken Druse. The photographic images document numerous private and public gardens throughout the United States and a few in Canada. Many have appeared in Druse's own books and articles as well as those by other writers. Approximately half of the collection is arranged according to specific garden, the other half by garden feature. A small portion of the collection consists of slide lectures given by Druse. Some images are identified with general captions and dates. Images documenting specific gardens are sometimes accompanied by handwritten notes, garden descriptions, and articles. Annotations appearing on certain images indicate the publication in which they appeared. The collection includes 'outtakes' or bracketed images that give insight into Druse's photo shooting process.

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Creators:
Richardson, Deborra
Reagon, Bernice Johnson, 1942-
Dates:
circa 1822-1994
Size:
6.55 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0653
Repository:
Archives Center, National Museum of American History

The collection documents the customs and culture of black gospel song and its performance in 19th- and 20th-century America. Dr. Reagon collected photographs, sheet music, and other primary and secondary sources chronicling the development and legacy of this medium, from the Civil War to the Civil Rights movement, from blues to Gospel to classical to jazz. Among the subjects included in this collection are trailblazers such as Charles Tindley, Thomas A. Dorsey, Rosetta Tharpe, Duke Ellington, and Nathaniel Dett. Noted performers are the Fisk Jubilee Singers, the Harmonizing Four, the Hampton University Choir, and the Chick Webb Orchestra.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Focus Gallery
Dates:
1963-1987
Size:
11.8 Linear feet
Collection ID:
AAA.focugall
Repository:
Archives of American Art

The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1851-1965
Size:
9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.World
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Museum of the American Indian, Heye Foundation
Heye, George G. (George Gustav), 1874-1957
Dates:
1890-1998
Size:
400 Linear feet
Collection ID:
NMAI.AC.001
Repository:
National Museum of the American Indian

These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Custom Auto and Equipment Sales
Parlett, John K., 1937-2005
Dates:
1859-2011, undated
Size:
20 Cubic feet (60 boxes)
Collection ID:
NMAH.AC.1225
Repository:
Archives Center, National Museum of American History

The John K. Parlett Collection of Agricultural Ephemera, 1859-2011, undated, is a collection of operator's instruction manuals, parts illustrations manuals, dealership materials, farming, farm life, and agriculture-related ephemera. The material is from national companies as well as local manufacturers and businesses.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1847-1975
Size:
251 Boxes
Collection ID:
NMAH.AC.0300.S04
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Stejneger, Leonhard, 1851-1943
Dates:
1753, 1867-1943
Size:
23.86 cu. ft. (46 document boxes) (2 12x17 boxes) (oversize materials)
Collection ID:
Record Unit 7074
Repository:
Smithsonian Institution Archives

The papers of Leonhard Stejneger consist of manuscripts on Japanese herpetology, Chinese herpetology, Puerto Rican and West Indian herpetology, North American herpetology, poisonous snakes, turtles, fur seals, ornithology, European fauna and the study of life zones; manuscripts, general notes and bibliographic notes and correspondence regardin...

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107 records — Page 5 of 11