Query: The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
John D. Graham papers
Creators:
Graham, John, 1887-1961
Dates:
1799-1988
bulk 1890-1961
Size:
11.2 Linear feet
Collection ID:
AAA.grahjohn
Repository:
Archives of American Art

The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.

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in AAA.grahjohn for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Records
Dates:
1912-1965
Size:
28.5 cu. ft. (57 document boxes)
Collection ID:
Record Unit 312
Repository:
Smithsonian Institution Archives

Record Unit 312 was transferred from the National Museum of American Art (NMAA) Archives to the Smithsonian Institution Archives in October 1984. The NMAA Archives, which was created in January 1975, and located in the Fine Arts and Portrait Gallery Building, came under the daily administration of the NMAA, with technical supervision and …

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in Record Unit 312 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Los Angeles Institute of Contemporary Art records
Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18.9 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.

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in AAA.losangin for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
LeRoy Neiman papers
Creators:
Neiman, LeRoy, 1921-2012
Dates:
1938-2005
Size:
70.5 Linear feet
Collection ID:
AAA.neimlero
Repository:
Archives of American Art

The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

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in AAA.neimlero for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Thomas Hess papers
Creators:
Hess, Thomas B.
Dates:
1939-1978
Size:
10.01 Linear feet
Collection ID:
AAA.hessthom
Repository:
Archives of American Art

The papers of New York editor and art critic Thomas Hess measure 10.01 linear feet and date from 1939 to 1978. The collection includes biographical materials, correspondence, extensive writings and notes, artists and subject files that also include recorded conversations with artists and others, printed materials, photographic materials, and artwork. There is a .01 linear foot unprocessed addition to this collection donated in 2022 that includes a six page typed manuscript, "Think, American Painting," undated, by Thomas Hess and the book American Realists and Magic Realists, The Museum of Modern Art, 1943, signed by Hess.

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in AAA.hessthom for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Frances Wolfson Art Gallery records
Creators:
Frances Wolfson Art Gallery
Dates:
1973-1994
Size:
5 Linear feet
Collection ID:
AAA.franwola
Repository:
Archives of American Art

The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994. The Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Materials document exhibitions held at the Gallery and the general administration of the Gallery through correspondence, business records and printed material.

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in AAA.franwola for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Harlem on My Mind exhibition records
Creators:
Schoener, Allon
Dates:
1966-2007
Size:
3 Linear feet
0.371 Gigabytes
Collection ID:
AAA.schoallo
Repository:
Archives of American Art

The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

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in AAA.schoallo for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Betty Blayton-Taylor papers
Creators:
Taylor, Betty Blayton, 1937-2016
Dates:
1929-2016
bulk 1970s-2000s
Size:
7.1 Linear feet
Collection ID:
AAA.blaybett
Repository:
Archives of American Art

The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.

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in AAA.blaybett for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
April Kingsley and Budd Hopkins papers
Creators:
Hopkins, Budd, 1931-2011
Kingsley, April
Dates:
circa 1945-2017
Size:
11 Linear feet
0.209 Gigabytes
Collection ID:
AAA.kingapri
Repository:
Archives of American Art

The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.

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in AAA.kingapri for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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in AAA.lipcjacq2 for The Impact of African Sculpture on Modern Art (Exhibition) (1975: Washington, D.C.)
288 records — Page 5 of 29