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Creators:
Oakley, Violet, 1874-1961
Dates:
1841-1981
Size:
56.4 Linear feet
Collection ID:
AAA.oaklviol
Repository:
Archives of American Art

The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.

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Creators:
Cummings, Willard Warren, 1915-1975
Dates:
1911-1997
bulk 1930-1975
Size:
19.3 Linear feet
Collection ID:
AAA.cummwill
Repository:
Archives of American Art

The papers of painter and co-founder of the Skowhegan School of Painting and Sculpture Willard Warren Cummings measure 19.3 linear feet and date from 1911 to 1997 with the bulk of the papers dating from 1930 to 1975. The collection documents Cummings's career as an artist through biographical material, correspondence, writings, printed materials, scrapbooks, artwork, and photographic material.

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Creators:
Museum of Craft and Folk Art
Dates:
1970-2012
Size:
28.9 Linear feet
12.48 Gigabytes
Collection ID:
AAA.musecraf
Repository:
Archives of American Art

The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.

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Creators:
Rhees, William Jones, 1830-1907
Dates:
circa 1878-1907
Size:
25.72 cu. ft. (50 document boxes) (2 5x8 boxes)
Collection ID:
Record Unit 7081
Repository:
Smithsonian Institution Archives

The William J. Rhees Collection consists of the remains of his Manuscript and Newspaper Scrap portfolio files. The dates of the material indicate that Rhees was collecting these papers from the beginning of his tenure at the Smithsonian, but the files were not organized until 1891 when he was appointed keeper of the Archives. The collection ...

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Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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Creators:
Kihn, W. Langdon
Dates:
1904-1990
bulk 1904-1957
Size:
8.5 Linear feet
Collection ID:
AAA.kihnwlan
Repository:
Archives of American Art

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

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Creators:
Smithsonian Institution, Assistant Secretary for the Arts and Humanities
Dates:
circa 1985-1992
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 96-006
Repository:
Smithsonian Institution Archives

This accession consists of records of three projects of the Assistant Secretary for the Arts and Humanities. The majority of the records document the Special Exhibition Fund, established by Office Memorandum (OM) 833 dated October 26, 1984. The OM decreed that the Fund was meant only to fund significant exhibitions beyond the normal financial ...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
circa 1975-1997
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 98-013
Repository:
Smithsonian Institution Archives

This accession consists of records produced by Judith Zilczer, Curator of Painting at the Hirshhorn Museum and Sculpture Garden (HMSG), which primarily document planning for the Richard Lindner and Sean Scully exhibitions at HMSG. Also included are Zilczer's curatorial files pertaining to research on HMSG collections, as well as papers from ...

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Creators:
Penn, Larry
McGee, Bobbie
Collector Records
Magpie
More …
Dates:
circa 1937-2004
bulk 1960-1990
Size:
34.28 Cubic feet (3 record boxes of business records; 8 record boxes, including 374 non-master audio reels (10", 7", 5", 4" and 2" reels); 160 10" reels in open stacks; 4 record boxes, including 853 audio cassettes; 1 record box, including 36 video cassettes; and 491 long play records, 45s and compact discs.)
Collection ID:
CFCH.COLL
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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