The papers of caricaturist Al Hirschfeld measure 0.9 linear feet and date from 1931-1983. Found within the papers are letters to Hirschfeld, business records, writings, artwork, printed material, and photographs.

These records document part of the secretarial administration of Alexander Wetmore and the whole of Leonard Carmichael's tenure. During this period the Smithsonian Institution's capacity to carry out research in its traditional scientific disciplines was substantially strengthened. At the same time the Institution was able to invest much ...

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and 0.001 GB and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed abd digital materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Soap forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The papers of New York School painter and sculptor Fritz Bultman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships; Hans Hofmann is the most thoroughly documented subject. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.

The papers of Bernard Langlais measure 13.3 linear feet and date from circa 1925 to 2010. The papers document Langlais' career as a painter and sculptor through correspondence with friends, colleagues, and art institutions and organizations; writings; exhibition records, video recordings about Langlais, resumes, and other professional activity files; appraisals, invoices, inventories, and other personal business records; newspaper and magazine clippings, exhibition announcements and catalogs, and press releases; as well as scrapbooks, drawings, sketchbooks, and photographic material of Langlais and his artwork.

The papers of art critic Emily Genauer measure 11.4 linear feet and date from circa 1920 to 1990. Found within the papers are correspondence with artists, gallery owners, and friends; extensive writings; research and reference files; personal business records; and photographs. Notable correspondents include David Aronson, Mrs. Max Beckman, Isabel Bishop, Dorothy Carnegie, Marc Chagall, Salvatore Dali, Stuart Davis, Martha Graham, Harry F. Guggenheim, Irene Rice Pereira, Clyfford Still, Rufino Tamayo, and Frank Lloyd Wright, among many others.

The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.