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Creators:
Zilczer, Judith
Dates:
1975-2003
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 04-028
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the research and correspondence of Judith Zilczer. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. The research and correspondence primarily concerns modern art, artists, and c...

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1972-1984
Size:
201.4 linear meters.
Collection ID:
Record Unit 613
Repository:
Smithsonian Institution Archives

These records concern the operation of the Office of the Secretary from 1972 to the end of S. Dillon Ripley's tenure as Secretary of the Smithsonian Institution. The records document the Smithsonian's on-going operations -- internal, with other government Offices and departments, and with foundations, universities, and other outside organizat...

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Creators:
Zilczer, Judith
Dates:
circa 1972-2012
Size:
7.52 cu. ft. (6 record storage boxes) (3 5x8 boxes) (1 tube)
Collection ID:
Accession 14-152
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the research and correspondence of Judith Zilczer. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. The majority of the research materials pertain to John Quinn, Walter Pach, Ra...

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Creators:
Zilczer, Judith
Dates:
1984-2005
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 07-162
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the professional activities and correspondence of Judith K. Zilczer, art historian and curator. Zilczer was employed by the Hirshhorn Museum and Sculpture Garden (HMSG) in various capacities from 1974-2003, ultimately serving as Curator of Paintings from 1992-2003. Many of the records document ...

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Wade, Jane, 1925-
Dates:
1903-1971
Size:
0.6 Linear feet
Collection ID:
AAA.wadejane
Repository:
Archives of American Art

The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.

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Creators:
Organization of Independent Artists
Dates:
circa 1970s-circa 2003
Size:
28.4 Linear feet
Collection ID:
AAA.orgainda
Repository:
Archives of American Art

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

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Creators:
Bunn, William E. L., 1910-2009
Dates:
1863-2009
Size:
13.4 Linear feet
Collection ID:
AAA.bunnwill
Repository:
Archives of American Art

The papers of painter, muralist, and designer William E. L. Bunn measure 13.4 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.

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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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Creators:
Wiegand, Robert, 1934-1993
Dates:
1953-1994
Size:
10.9 Linear feet
Collection ID:
AAA.wiegrobe
Repository:
Archives of American Art

The papers of New York video artist and painter Robert Wiegand measure 10.9 linear feet and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

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