643 records — Page 41 of 65
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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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Creators:
Morton, William Thomas Green, 1819-? (dentist)
Morton, William J.
Dates:
1849-1911
Size:
2.3 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0118
Repository:
Archives Center, National Museum of American History

The collection documents through correspondence, reprints of general articles, reports of Congressional committees, and materials relating to a U.S. patent and testimonials Morton's claims to priority in the discovery of the anesthetic properties of ether in medical and surgical procedures.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1986
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1986
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1832-1977
Size:
60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Railroads
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Transportation, Division of, NMAH, SI.
United States Fish Commission
Dates:
1871-1892
Size:
4.66 Cubic feet (20 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0256
Repository:
Archives Center, National Museum of American History

Most of the collection consists of drawings, both pen and ink and pencil, photoengravings and photographs and blueprints of fish, fishermen, fishing gear, nets, traps, seines, fishing vessels both small and large, and fish processing. Some are identified by type, some by location; others lack specific identification. Many carry comments and direct...

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Creators:
National Congress of American Indians
Dates:
1952-1997
Size:
24 videoreels (1/2 inch)
1 videocassettes (hi8)
3 sound cartridges
1 sound recording (dictaphone belt)
10 videocassettes (vhs)
442 Sound tape reels (1/4" open reel)
30 videocassettes (u-matic)
713 Sound cassettes
Collection ID:
NMAI.AC.010.001
Repository:
National Museum of the American Indian

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

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Creators:
Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
Dates:
1950 - 1959
Size:
42.5 Cubic feet
Collection ID:
NMAH.AC.0507
Repository:
Archives Center, National Museum of American History

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

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Creators:
Ride, Sally, 1951-2012
Dates:
1970-2012
Size:
24 Cubic feet (63 boxes)
Collection ID:
NASM.2014.0025
Repository:
National Air and Space Museum Archives

The Sally K. Ride Papers consists of over 23 cubic feet of papers, photographs, certificates, and film, created or collected by Sally Ride and chronicling her career from the 1970s through the 2010s. The papers document Ride's lifetime of achievements and include material relating to her astronaut training and duties; her contributions to space policy; her work as a physicist; and her work as an educator, including Sally Ride Science and related STEM projects.

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Creators:
Wittmann, Otto, 1911-2001
Dates:
1932-1996
Size:
10.1 Linear feet
Collection ID:
AAA.wittotto
Repository:
Archives of American Art

The papers of museum director, art consultant and curator Otto Wittmann (1911-2001)date from 1932 to 1996 and measure 10.1 linear feet. The bulk of the collection consists of correspondence and other files concerning Wittmann's career as Director of the Toledo Museum of Art and as trustee and acting chief curator of the Getty Museum in Los Angeles. Eleven scrapbooks contain materials primarily relating to the activities of the Toledo Museum of Art, but also contain documentation of Wittmann's World War II service in the Art Looting Investigation Unit (ALIU) of the U.S. Office of Strategic Services, the precursor to the present day CIA. Also found within the papers are files relating to his work with the National Endownment of the Arts, Arts and Artifacts Indemnification Committee, scattered biographical information, and personal correspondence.

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Creators:
Klima, George J., 1922-2016
Dates:
1953-2014, undated
Size:
2 videocassettes (vhs)
33 Sound tape reels (1/4 inch)
1 Sound cassette
16 Film reels (16mm and Super 8mm)
1.04 Linear feet
Collection ID:
HSFA.2017.08
Repository:
Human Studies Film Archives

The George J. Klima collection documents his field work, published works, and professional activities from 1953-2014 and primarily deal with his work studying cattle herding and kinship among the Barabaig in northern Tanzania. The collection consists of camera original film and sound recordings, photographs, field notes, and publications (text and audiovisual). Also included are correspondence; teaching and adminstrative materials from his time as a professor at the State University of New York at Albany (SUNY Albany); and personal audiovisual recordings including experimental films.

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643 records — Page 41 of 65