The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Ivory forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The papers of installation artist Moses Ros measure 2.3 linear feet and date from 1978 to 2012. The collection is comprised of files for several New York City Housing Authority commissions, as well as architecture, sculpture, and mural projects; professional files for Dominican York Proyecto GRAFICA, MUD/BONE Print Studio, and a New York American Institute of Architects residency; printed materials; and artwork that includes doodles, sketches, mock ups, and a paper and feather mask.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Exterminators and Sprayers forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The bulk of the collection consists of photographs of an Omaha powwow near Macy in Thurston County, Nebraska. Included are images of dancers, riders on horseback, tipis and tents, individuals and groups of people, and the surrounding area. Additional photographs include images of Thomas Sloane and other individuals, and a photogaph of what appears ...

This collection includes 10 copy negatives of E. Lucas Bridges photographs from Tierra del Fuego in Argentina made between 1900 and 1910. Bridges was the son of an Anglican missionary and grew up among the Selk'nam (Ona) indigenous people at the southernmost tip of South America. Bridges published The Uttermost Part of the Earth in 1949 documenting his family's experiences in Tierra del Fuego.

This accession consists of records documenting research performed by the staff of the Department of Zoological Research. The majority of the records were created and maintained by Devra G. Kleiman who served as Scientist, 1972-1982; Acting Assistant Director for Animal Programs, 1982-1983; Assistant Director for Animal Programs, 1983-1984; ...

This accession consists of records documenting outgoing loans of objects. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, certificates of insurance, insurance register transaction forms, images of objects, facilities reports, condition photographs, and related materials.

This accession consists of records documenting outgoing loans of works of art. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, certificates of insurance, insurance register transaction forms, images of objects, facilities reports, condition photographs, and related mater...

The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.