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Creators:
Warshaw, Isadore, d. 1969
Dates:
1851-1965
Size:
9.09 Cubic feet (consisting of 17.5 boxes, 1 folder, 19 oversize folders, 12 map case folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.World
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History.
Dates:
circa 1983-1994 and undated
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Accession 00-002
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research fil...

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Creators:
National Museum of the American Indian (U.S.)
Dates:
1886-1913
Size:
13 Photographs
Collection ID:
NMAI.AC.999
Repository:
National Museum of the American Indian

The General Photograph collections contains photographs depicting people, events, and activities related to the historical and contemporary lives of Native peoples throughout the Western Hemisphere.

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Creators:
National Museum of African Art
Dates:
1964-1999
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 00-091
Repository:
Smithsonian Institution Archives

This accession consists of records that document the curatorial activities of Lydia Puccinelli, Curator of Collections, National Museum of African Art, 1979-1999. Between 1964-1979, Puccinelli served as a curator at the Museum of African Art, prior to its joining the Smithsonian. A large portion of the correspondence is in response to public ...

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Dates:
between 1877-1895
Size:
169 negatives (photographic) (dupe negs., black & white, 4 x 5 in. )
169 photographic prints (dupe prints (2 v.), black & white, 8 x 10 in. )
169 photographic prints ((1 album), black & white, 14 x 20 cm. or smaller.)
Collection ID:
EEPA.1995-017
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of West Africa, mostly from Lagos and coastal Nigeria, 1877-1895. There are high quality pictures of trading houses and residences in Lagos, often with the name of the owners given in the caption. One of the buildings depicted is the cathedral. Several exceptional images portray chiefs, such as the King of Opobo, and the wives of the King of Opobo, the Balogun of Epe, the Alake of Abeokuta, and the chief of New Calabar. Of greatest interest is a photograph entitled "Benin Gods" which shows figures from the Kingdom of Brass, taken in circa 1877/1878. There are also views of Cape Coast, Elmina, Accra, Wydah, Fernando Poo, Porto Novo, Grand Popo, and one from Liberia. The themes range from architecture to dances and weddings. Of particular interest are two depictions of fancy dress.

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Creators:
Tilton, Willis G.
Dates:
circa 1880-1930
bulk 1899-1904
Size:
685 Negatives (circa, glass and nitrate)
Collection ID:
NAA.PhotoLot.89-8
Repository:
National Anthropological Archives

Photographs collected by Willis G. Tilton, a dealer in artifacts and photographs relating to American Indians. Many of the photographs were made by Field Columbian Museum photographer Charles Carpenter at the Louisiana Purchase Exposition in 1904; many others were created by various photographers for Field Museum publications. Notable subjects in...

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Creators:
Archives Center, NMAH, SI.
Ravnitzky, Michael
Dates:
circa 1900-present
Size:
29 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0404
Repository:
Archives Center, National Museum of American History

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
1979-1993
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 94-127
Repository:
Smithsonian Institution Archives

These records are background and working files regarding design and maintenance of exhibit halls in the National Museum of Natural History. The records contain correspondence, reports, publications, photographs, slides, plans, and other materials relating to permanent and temporary exhibits. These records were maintained by Carl A. Alexander w...

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Creators:
Sardino, Robert C.
Dates:
1914-1981, undated
Size:
2.1 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.1471
Repository:
Archives Center, National Museum of American History

The collection consists of motion picture exhibition ephemera (lantern slides, publicity photographs, and paper) saved by Robert L. Sardino during his years working in motion picture theaters in Syracuse, New York.

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Creators:
National Portrait Gallery, Office of the Director
Dates:
1983, 1992-2006
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 07-099
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the Director's involvement in many aspects of exhibition development at the National Portrait Gallery during the tenures of Alan Maxwell Fern (1982-2000) and Marc Pachter (2000-2007). Exhibitions documented include "Portrait of the Art World: A Century of ARTnews Photographs;" "A Brush with H...

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