Photographic postcards collected by Dr. Rudolf Wolff, a pediatrician from Krefeld, Germany during a trip to the United States in the early 1930's and brought back to America when the family immigrated in 1936.

This collection consists of the personal papers of Hattie Meyers Junkin. The material consists of correspondence, scrapbooks, and manuscripts, as well as material on Junkin's husbands and Weaver Aircraft Co.

The collection is comprised of digital surrogates previously available on the 44 rolls of microfilm described in the NARA publication M869. These digital surrogates reproduced the records of the Assistant Commissioner for the state of South Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. A few of the records are dated as early as 1863. The records consist of 38 volumes and approximately 30 cubic feet of unbound records. The volumes include letters and endorsements sent, registers of letters received, and orders issued. The unbound records consist mainly of reports, letters received, and applications for restoration of property. The documents were primarily created or received by the Assistant Commissioner and his assistant adjutants. A few of the documents were created or received by Capt. Alexander P. Ketchum, one of Commissioner Oliver Otis Howard's staff officers, who was sent to South Carolina to mediate a dispute over restoration of abandoned land on the sea islands of South Carolina and Georgia.

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, recorded interviews with significant artists and transcripts, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.

The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.

The records of Boston picture frame company Foster Brothers measure 13 linear feet and date from 1875-1973 with the bulk of the material falling between 1893 and 1942. Correspondence, stock records, financial records, writings, miscellaneous business records, printed material, scrapbooks, and photographs document the history of this company that operated a factory, retail store, and wholesale and mail order businesses between 1893 and 1942. A small number of family papers are included, with items pre-dating and post-dating the business.

The General William Nicholson Grier photograph collection contains 10 photographs that Grier collected related to his service with the US Army (1835-1870). The photographs include depictions of Carlisle Indian School students circa 1879-1884 and portraits of the 1868 Navajo Treaty signers.

Contains vocabularies and other linguistic notes on a variety of American Indian languages. Mainly transcripts by Gatschet from other sources; includes some material recorded by Gatschet, and a few original manuscripts sent to him by others.