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Creators:
Kuh, Katharine
Dates:
1875-1994
bulk 1930-1994
Size:
12 Linear feet
Collection ID:
AAA.kuhkath
Repository:
Archives of American Art

The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

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Creators:
Boris Mirski Gallery (Boston, Mass.)
Dates:
circa 1936-2000
bulk 1945-1972
Size:
6.2 Linear feet
Collection ID:
AAA.mirsbori
Repository:
Archives of American Art

The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

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Creators:
Goldthwaite, Anne, 1869-1944
Dates:
1910-1950
Size:
0.3 Linear feet
Collection ID:
AAA.goldanne
Repository:
Archives of American Art

The papers of painter Anne Goldthwaite measure 0.3 linear feet and date from 1910 to 1950. Found within the papers are memoirs of Goldthwaite and her grandmother; clippings and exhibition catalogs; and photographs of Goldthwaite, her family and friends, and her work.

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Creators:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997
Dates:
1837-1984
bulk 1935-1979
Size:
4.9 Linear feet
Collection ID:
AAA.fleilawr
Repository:
Archives of American Art

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

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Creators:
DeMott, Helen, 1920-1997
Dates:
1896-1997
Size:
7.9 Linear feet
Collection ID:
AAA.demohele
Repository:
Archives of American Art

The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - American Art
Dates:
1999-2004
Size:
1 cu. ft. (2 document box)
Collection ID:
Accession 05-109
Repository:
Smithsonian Institution Archives

This accession consists of the exhibition records of Kenneth Myers, former Associate Curator of American Art at the Freer Gallery of Art. They primarily cover his work on various exhibitions regarding James McNeill Whistler, including "Young Whistler: Early Prints and the French Set;" "Whistler in Paris: Lithographs from the Belle Epoque, ...

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Creators:
Evergood, Philip, 1901-1973
Dates:
1890-1971
Size:
11.61 Linear feet
Collection ID:
AAA.everphil
Repository:
Archives of American Art

The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

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Creators:
Serrano, Andres, 1950-
Dates:
1986-2013
Size:
2.8 Linear feet
Collection ID:
AAA.serrandr
Repository:
Archives of American Art

The papers of photographer Andres Serrano measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.

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Creators:
National Portrait Gallery, Dept. of Exhibitions and Collections Management
Dates:
1979-1983, 1988, 2008
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 09-066
Repository:
Smithsonian Institution Archives

This accession consists of records which document the various aspects of exhibition development, planning, design and publicity for the exhibition, "Champions of American Sport." This was the first major art exhibit devoted to outstanding American sports personalities and to the aesthetic qualities of sport and human movement. It consisted ...

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Creators:
Marcus, Marcia, 1928-
Dates:
1928-2016
bulk 1950-2000
Size:
0.389 Gigabytes
8.42 Linear feet
Collection ID:
AAA.marcmarc
Repository:
Archives of American Art

The papers of New York painter and educator Marcia Marcus measure 8.42 linear feet and .389 gigabytes (1 computer file), and date from 1928-2016, with the bulk of the materials dating from 1950-2000. The papers include biographical material, correspondence, interviews, writings (including two diaries), project files, personal business records, printed material, photographic material, eight sketchbooks, and artwork. Extensive personal and professional correspondence is with her husband and close friends, galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, and Robert (Bob) Richenburg, and, to a lesser extent, Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. Photographic material includes photographs of Marcus at all stages of her life and photographs and slides documenting her paintings.

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