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Creators:
Steinway, William
Steinway, Henry Ziegler
Steinway family
Steinway & Sons
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Dates:
1857-1919
Size:
6 Cubic feet (12 boxes, including photographs and microfilm)
Collection ID:
NMAH.AC.0178
Repository:
Archives Center, National Museum of American History

Records of the Steinway & Sons piano company and a daily diary of William Steinway, a key figure in the rise of the company to international prominence in the nineteenth century. The records document overall operations of the company, individual piano serial numbers, and the business and personal life of William Steinway, a prominent figure in New York business, politics, and musical life.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Administration and Museum Support Services
Dates:
1971-1989
Size:
3.73 cu. ft. (1 record storage box) (46 oversize folders)
Collection ID:
Accession 97-044
Repository:
Smithsonian Institution Archives

Between 1986 and 1989 the Hirshhorn Museum and Sculpture Garden (HMSG) considered building an addition. Many schemes were considered, all prepared by The Architects Collaborative (TAC) of Cambridge, Massachusetts. The most fully developed scheme is the 7th Street Addition. Other design schemes are: Wraparound Scheme A, Wraparound Scheme C...

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Creators:
Pleissner, Ogden M.
Dates:
1928-1976
Size:
3.2 Linear Feet
Collection ID:
AAA.pleiogde
Repository:
Archives of American Art

The papers of painter Ogden M. Pleissner measure 3.2 linear feet and date from 1928-1976. Found within the papers are biographical material, scattered letters, artwork, nine scrapbooks, over one foot of printed material, and photographs.

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Creators:
Adler, Solomon, 1901-1989
Dates:
1916-1980
bulk 1950-1966
Size:
4.5 Cubic feet (5 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1157
Repository:
Archives Center, National Museum of American History

The papers document independent inventor Solomon Adler's work with sewing machine technology through correspondence, photographs, notes, drawings, sketches, patents, litigation records, and printed materials. The collection provides insight into both an independent inventor's process of invention and Japanese work culture during the post-World War II period.

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Creators:
Smithsonian Institution, Office of Public Affairs
Dates:
1966, 1979-1980, 1985-1995, 1998-2007
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 07-147
Repository:
Smithsonian Institution Archives

This accession consists of materials maintained by Kathryn B. Lindeman, Director of Publications, in regards to the implementation and coordination of the Visual Identity Program and its system of logos at the Smithsonian Institution (SI). Early in 1998, Smithsonian Institution Secretary I. Michael Heyman engaged the design firm of Chermayeff ...

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Zorach Family
Dates:
1900-1987
Size:
4.4 Linear feet
Collection ID:
AAA.zorazora
Repository:
Archives of American Art

The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Rorimer, James J. (James Joseph), 1905-1966
Dates:
1921-1982
bulk 1943-1950
Size:
2.3 Linear feet
Collection ID:
AAA.rorijame
Repository:
Archives of American Art

The papers of curator and museum director James J. Rorimer measure 2.3 linear feet and date from 1921 to 1982, with the bulk from 1943-1950. The papers include documentation of James J. Rorimer's World War II service in the Monuments, Fine Art and Archives Section of the U.S. Army and his activities protecting historic and cultural sites from bombing, and locating and recovering art work and cultural icons stolen by the Nazis. Found within the papers are scattered biographical materials and correspondence, writings include draft versions of Rorimer's book Safe-Keeping or Survival: The Salvage and Protection of Art in War, financial records, photographic materials including a photo album containing photographs of European art work and cultural sites where Rorimer worked, newsclippings and additional printed materials, and one scrapbook of clippings dating from World War II.

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