These papers include official records that document the history of the USNH while Joseph Nelson Rose was assistant botanist at the United States Department of Agriculture (1888-1896), assistant and associate curator, USNH, United States National Museum (1896-1911), and the Division of Plants, USNM (1917-1928); also personal and official papers documenting Rose's professional career …
Stephen Antonakos papers
The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.
Alice Trumbull Mason papers
The papers of abstract artist Alice Trumbull Mason date from 1921 to 1977 and measure 1.3 linear feet. The collection documents her career as a painter, particularly her role as one of the founders of the American Abstract Artists group, through biographical materials; correspondence with family, friends, fellow artists, art galleries, museums, and organizations; writings and notes, including notebooks of poetry and other creative writings; a small amount of printed material; photographs of Mason, friends, and her artwork; and original artwork, including five sketchbooks.
Barbara Rose papers
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Louise Nevelson papers
The papers of Louise Nevelson measure 30.5 linear feet and date from circa 1903 to 1988. The collection documents aspects of the life and work of the sculptor, focusing especially on her later career. Papers include correspondence, personal business records, writings, scrapbooks, early art work, photographs, interviews, awards and honorary degrees, books, and an extensive amount of printed material.
Gladys Reid Holton Ephemera Collection
Des Grange, Jane
A wide range of dated ephemeral material collected by Gladys Reid Holton covering the period circa 1800 to circa 1978.
Lawrence Oschinsky papers
The papers of Lawrence Oschinsky primarily document his research and professional activities from 1940s-1965 as an American physical anthropologist, but include some personal materials as well. The collection contains his published works, dissertations, field notes, correspondence, teaching materials, and many photographs depicting both his personal travels and his research subjects in the Canadian Arctic, Africa, Asia, and other regions.
Henry Ward Ranger Estate papers
The estate papers of New York tonalist painter Henry Ward Ranger, measure one linear foot and date from 1888-circa 1999, with the bulk of the material dating from 1904-1954.The collection primarily documents the settlement of Ranger's contested will and the administration of his estate, but also provides scattered biographical information on Ranger's life, provenance information about his work, and documentation of the significance of his estate gift to the National Academy of Design. Records include appraisal information including an estate ledger, correspondence and memoranda including two letters from Ranger, court documents, financial and real estate records, news clippings, and two photographs and eight negatives of Ranger.
Gus Van Beek papers
This collection consists of the professional papers of Dr. Gus Van Beek, Curator of Old World Archaeology, Division of Archaeology, Department of Anthropology, Smithsonian Institution. Included is the overall body of field logs and notebooks, correspondence, administrative work, research for and about exhibits, photographs, drawings, work on a variety of Departmental committees, and work leading toward the publication of a number of manuscripts and papers. These materials cover roughly the period from 1959 when Dr. Van Beek was hired as an Associate Curator in the Department until 2008 when he actively ceased work in his office at NMNH.
Kenneth Snelson papers
The papers of artist Kenneth Snelson measure 21.8 linear feet and date from 1947-2016. While primarily known for his sculptures incorporating the structural principle of tensegrity, Snelson was also a prolific photographer and forerunner of computer art. The collection document's the artist's life and work through chronological files, correspondence, project files, gallery and exhibition files, photographic material, and printed material. Chronological files detail seven decades of personal and professional activities, beginning with Snelson's summers at Black Mountain College where he studied with Buckminster Fuller. Project files comprise nearly half of the collection and extensively document his sculptures, towers, atom model, computer art, patents, and cataloging and publishing projects.