The exposition records of this collection provide an account of the Smithsonian's involvement in twenty-two domestic and foreign expositions between 1876 and 1908. The depth of coverage in the records is uneven, but they still convey a wealth of information about Smithsonian participation in expositions, chiefly during the last quarter of...

This accession consists of records that pertain to the planning, coordination and funding for Nuestros Bosques, Nuestros Herencia (Our Forests, Our Heritage) a traveling educational exhibit about tropical rainforests in the Americas. The exhibit was cooperatively produced by teams from other Latin American countries, and it was developed ...

The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.

The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

These records document the development of the Office's mandate. There is extensive correspondence with Smithsonian bureaus and administrators, American and foreign government bodies at all levels, various learned societies, foundations, and other private organizations. The records also include correspondence of the Office of the Assistant ...

This accession consists of files of the visiting professional program; correspondence with professional and various experts in museum issues; memoranda; audience course outlines; workshop evaluations; and records pertaining to registration methods, photographic methods for museum personnel, museum security, fire, safety and health programs ...

This accession consists of records documenting publicity and outreach activities for the Hirshhorn Museum and Sculpture Garden and its exhibitions, events, programs, and activities. Materials include brochures, flyers, pamphlets, invitations, announcements, guides, press packets, educational materials, advertisement mockups, stationary, p...

These records consist of documentation of the federal budget process, including reports on work in Smithsonian bureaus and offices.

This accession consists of records that document the administration and activities of the Smithsonian Photography Initiative (SPI). Records cover the creation of SPI and its history, funding, and creative projects. Materials include correspondence, meeting notes, reports, funding and project proposals, exhibition materials, budgets, brochures,...

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.