742 records — Page 42 of 75
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Creators:
Compton, Joseph, 1891-
Clinton-Baddeley, V.C. (Victor Clinton), 1900-1970
Dates:
1949-2010
bulk 1950-1965
Size:
1.25 Cubic feet (11 legal folders, 6 cassette tapes, 18 sound discs (vinyl))
Collection ID:
CFCH.LLRE
Repository:
Ralph Rinzler Folklife Archives and Collections

London Library of Recorded English was a 6-volume Anthology of English Literature, consisting of poetry spanning 16th-20th century England, read aloud by well-known British poets, scholars, and actors. The first four recordings were edited by poet-scholars V.C. Clinton-Baddeley and Joseph Compton, and when it was acquired by Britam Agencies in 1955, Clinton-Baddeley stayed on to create two more releases. The collection contains 6 LP recordings, as well as the business papers associated with the creation and management of the Anthology.

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Dates:
1991
Size:
2 videotapes (Reference copies).
Collection ID:
Record Unit 9564
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Seppä, Heikki
Herman, Lloyd E.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 May 6
Size:
76 Pages (Transcript)
Collection ID:
AAA.seppa01
Repository:
Archives of American Art

An interview of Heikki Seppä conducted 2001 May 6, by Lloyd Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home and studio, Bainbridge Island, Washington.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Norrell, Thomas, 1899-1985
Dates:
circa 1840-circa 1960
bulk 1870-1940
Size:
18 Cubic feet (84 boxes)
Collection ID:
NMAH.AC.1174
Repository:
Archives Center, National Museum of American History

Approximately 11,000 images collected by Thomas Norrell consisting of original photographic prints and photographic postcards, original film and glass plate negatives, and duplicate/copy photographic prints and negatives. The majority are external views of single locomotive engines of North American railroad and industrial companies. Images of international railroad company locomotives and of representative locomotives from various locomotive works and builders are also included. The collection contains a small number of subject-specific images covering such topics as train wrecks, funeral trains, experimental locomotives, miniature trains, and locomotives at the 1933 and 1939 World's Fairs.

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Creators:
Perkins, James Secor
Gilbreth, Frank Bunker, 1868-1924
Gilbreth, Lillian Moller, 1878-1972
Dates:
1907-2000
bulk 1911-1924
Size:
5 Cubic feet (19 boxes)
Collection ID:
NMAH.AC.0803
Repository:
Archives Center, National Museum of American History

The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
undated
Size:
1 Cubic foot (consisting of 2 boxes, 4 oversize folder, 1 map case folder. )
Collection ID:
NMAH.AC.0060.S01.01.Livestock
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Livestock forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
undated
circa 1901-1929
Size:
0.23 Cubic feet (consisting of .5 box.)
Collection ID:
NMAH.AC.0060.S01.01.Yachts
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Yachts forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Air and Space Museum (U.S.)
Dates:
1914-[ca. 1980s]
bulk 1914-1918
Size:
2.7 Cubic feet ((6 legal document boxes) (1 oversized box))
Collection ID:
NASM.1993.0063
Repository:
National Air and Space Museum Archives

This collection is a product of the material gathered for the exhibit, book, brochure and poster. It includes a large amount of additional information gathered for research but not used. The Collection is divided into six series: I. Exhibit Catalog Images; II. Exhibit Only Images; III. Brochure Images; IV. Poster Images; V. Original Photography; VI. Research Collection. Different sized black and white and color photographs, mostly 8 x 10s, are included in most of the series, although captions are not always provided. Other types of materials are corresponding negatives, photocopies, glass plate negatives and color transparencies.

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742 records — Page 42 of 75