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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Administration and Museum Support Services
Dates:
1969-1981
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Record Unit 512
Repository:
Smithsonian Institution Archives

This record unit documents the administrative procedures employed by HMSG. The records provide information about the process of recruiting staff for the new Museum. There are also budget and financial records, which track the costs of exhibits as they were produced.

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Creators:
Hedges, Jimmy, 1942-2014
Dates:
1969-2016, bulk 1991-2013
Size:
23.5 Linear feet
15.63 Gigabytes
Collection ID:
AAA.hedgjimm
Repository:
Archives of American Art

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...

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Creators:
Stocksdale, Kay Sekimachi
Stocksdale, Bob
Dates:
circa 1900-2015
Size:
19.5 Linear feet
Collection ID:
AAA.stockbob
Repository:
Archives of American Art

The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

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Creators:
National Arts Club
Dates:
1898-1960
Size:
32.1 Linear feet
Collection ID:
AAA.natiartc
Repository:
Archives of American Art

The records of the National Arts Club measure 32.1 linear feet and date from 1898 to 1960. The collection documents the founding of the club, and it's governance, administration, exhibitions, and social activities

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1790-1980s
Size:
260 Cubic feet (approximately 1244 boxes)
Collection ID:
NMAH.AC.0300
Repository:
Archives Center, National Museum of American History

Primarily published sheet music, plus some related ephemera. Originally included 781 boxes of American sheet music and assorted clippings, articles, photographs, etc.; also 93 boxes of 33-1/3 RPM phonograph records, 30 boxes of 45 RPM records, and 20 boxes of 78 RPM records

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Smithsonian American Art Museum, Curatorial Office
Dates:
1996-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 08-057
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Also includes records from when SAAM was known as the National Museum of American Art (NMAA). Materials include correspondence, notes, memoranda, proposals, brochures, press kits, and color slides.

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Creators:
Hirshhorn Museum and Sculpture Garden. Curatorial Department
Dates:
circa 1978-1994
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 99-072
Repository:
Smithsonian Institution Archives

These records, which are from the office of Valerie J. Fletcher, Curator of Sculpture at the Hirshhorn Museum and Sculpture Garden (HMSG), primarily document Fletcher's involvement in the planning, research, and installation of the exhibition Dreams and Nightmares: Utopian Visions in Modern Art at HMSG in 1983-1984. During the years Fletc...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Education
Dates:
1987-1998
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 02-011
Repository:
Smithsonian Institution Archives

These records document education programs and products produced in conjunction with exhibitions. Materials include education program files, program and teacher evaluations, exhibition activity books and guides for children, teacher packets - including slides and photographs, visitor and tour surveys, accessibility records, press releases, pres...

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