This accession consists of records that document arrangements for the exhibition George Washington: A Figure Upon the Stage, in celebration of the 250th Anniversary of the birth of George Washington, which took place at the National Museum of American History in 1982. Materials consist of correspondence and memoranda pertaining to proposals ...

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Labor & Labor Unions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

This record unit contains some information on post-World War II exhibition planning at the Smithsonian. However, in the main, they document the involvement of the Office of the Director in exhibition planning at the Museum of History and Technology (MHT) from its creation in 1957 through 1965. Directors represented in this collection include ...

This accession consists of records documenting the marketing activities of Smithsonian Productions, with earlier records dating back to when the office was known as the Office of Telecommunications. Materials include the correspondence and memoranda of Denise Freeland, Marketing Coordinator, and Martha Knouss, Marketing Manager; budget su...

An exhibition on the history of the transatlantic slave trade, organized by the Anacostia Neighborhood and held there from February 1979-February 1980. Curated by Louise Daniel Hutchinson. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

The Benjamin Layton collection documents the life, family history, and interests of Benjamin T. Layton. Items date from circa 1865 to 1977. The collection measures 3.45 linear feet and is composed of newsletters, clippings, pamphlets, newspapers, correspondence, certificates, photographs, memorabilia, books, stamps, etchings, and programs.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Theater forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records