457 records — Page 43 of 46
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Creators:
Clark, Edward, 1926-2019
Dates:
1923-2017
Size:
8.9 Linear feet
Collection ID:
AAA.clarked
Repository:
Archives of American Art

The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.

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Creators:
Cowin, Eileen, 1947-
Dates:
1961-2015
Size:
14.7 Linear feet
29.56 Gigabytes
Collection ID:
AAA.cowieile
Repository:
Archives of American Art

The papers of Los Angeles photo and video artist Eileen Cowin measure 14.7 linear feet and 29.56 GB and date from 1961 to 2015. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed and digital material, video artwork and sketchbooks, sound and video recordings, and photographic material.

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Creators:
National Association of Civilian Conservation Corps Alumni
Ward, C.E.
Civilian Conservation Corps (U.S.)
Bidwell, Timothy
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Dates:
1853-2009, undated
bulk 1933-1942
Size:
155 Cubic feet (331 boxes, 57 map folders)
Collection ID:
NMAH.AC.0930
Repository:
Archives Center, National Museum of American History

The Archival collections of the National Association of Civilian Conservation Corps Alumni (NACCCA) donated in 2006. The Civilian Conservation Corps (CCC), created as part of the New Deal legislation initiated by President Franklin D. Roosevelt in 1933, was a public work relief program for unemployed men designed to reduce high unemployment during the Great Depression. The CCC carried out a broad natural resource conservation program on national, state, and municipal lands from 1933 to 1942. This collection contains papers, photographs, and ephemera collected and created by alumni of the CCC and donated to the NACCCA archives.

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Creators:
Ashton, Dore
Dates:
circa 1928-2014
1849
Size:
35.6 Linear feet
Collection ID:
AAA.ashtdore
Repository:
Archives of American Art

The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1863-1966
Size:
9.54 Cubic feet (consisting of 19.5 boxes, 4 folders, 26 oversize folders, 8 map case folders, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Theater
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Theater forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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Creators:
Smithsonian Institution. Bureau of American Ethnology
National Museum of Natural History (U.S.). Department of Anthropology
Dates:
1840s-1960s
1840s-1960s
Size:
18,000 Items (ca. 18,000 items)
18,000 Items (ca. 18,000 items)
Collection ID:
NAA.PhotoLot.24
Repository:
National Anthropological Archives

The collections consists mostly of original and copy prints. There are also some negatives, artwork, photographs of artwork, and printed materials. Included is a large miscellany of ethnological, historical, and some archaeological subjects collected by the Bureau of American Ethnology from a wide variety of sources. To these have been added some p...

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Creators:
Rinzler, Ralph
Dates:
1890-2011
bulk 1950-1994
Size:
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Collection ID:
CFCH.RINZ
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.

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Creators:
Smithsonian Institution. Division of Performing Arts
Dates:
1967-1983
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 84-012
Repository:
Smithsonian Institution Archives

This Collection contains the records from the discontinued Division of Performing Arts, which began in 1967 and ended in 1983. The Division of Performing Arts was formed with the creation of the first Festival of American Folklife, and handled such events as music and theater performances, festivals, holiday celebrations, and the Children's ...

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Creators:
White, Charles, 1918-1979
Dates:
1933-1987
bulk 1960s-1970s
Size:
12.9 Linear feet
Collection ID:
AAA.whitchar
Repository:
Archives of American Art

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

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457 records — Page 43 of 46