The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

The papers of metalsmith and jewelry artist Marjorie Schick measure 8.0 linear feet and date from 1963-2017. Included are biographical information; correspondence with friends and colleagues; writings including Schick's lecture notes, instructions for display and care of work and other notes; exhibition and project files; financial records; black a...

This accession consists of web pages associated with a virtual tour of the museum found on the National Museum of Natural History website and mobile website. The pages were crawled May 4-6, 2016, and the original files were also transferred from the web server. Due to technical issues, many features do not function as expected. Materials ...

This collection consists of a photograph, a 1957 letter, and three drawings relating to the Jurca MJ-2 Tempête (Tempest) (Homebuilt). This collection also contains ten color snapshots and corresponding negatives from 2001 taken at Jurca's office and workshops, located at an airport outside of Paris.

This accession consists of records that document programs, acquisitions, funding, and exhibitions at the Renwick Gallery. People represented in the collection include Kenneth R. Trap, Curator-in-Charge, 1995-2003; Michael Munroe, Curator-in-Charge, 1986-1995; and Jane Milosch, curator, 2004-2009. Materials include correspondence, memoranda, ...

The papers of fiber artist James Bassler measure 3 linear feet and date from 1969 to 2003. The papers consist of biographical material, correspondence, personal business records, writings, professional files, printed material, and five scrapbooks. Much of the material was assembled by Bassler as supporting documentation for tenure at UCLA.

This accession consists of correspondence, memoranda, scripts, drawings, plans, and related materials documenting the planning and preparation of temporary and permanent exhibitions at the National Museum of Natural History, including the "Ocean Planet" exhibition. Most of the records were created by Carl A. Alexander, Exhibits Programmer.

Ambassador Raymond A. Hare (1901-1994) created this collection to document the architecture, cities, and landscapes of the Middle East, including Afghanistan, Egypt, Greece, Iraq, Jordan, Israel and Palestine, Iran, Syria, Turkey, and Yemen.A photograph album of 90 silver-gelatin photographs depicts minarets in Cairo, Egypt, with annotations in Arabic and English describing the date and title of each minaret. Two portfolios of photographs presented to Ambassador Hare in 1965 by the senior staff of the U.S. Agency for International Development Mission to Turkey to commemorate his service as Ambassador to Turkey from 1961-1965. Included are 52 matted photographs, many signed by the photographer Ara Guler and dated and captioned, documenting the art and architecture of the Seljuks and the Armenians at the Armenian center of Ani. The slides, 1930s - 1960s, created by Hare document Islamic architecture and people and place views of North Africa, Turkey, Egypt, and Syria.

The papers of American art collector, paint manufacturer, lecturer, and painter, Leonard Bocour measure 11.8 linear feet and date from 1933 to 1993. Found within the papers are biographical material; miscellaneous correspondence with artists and colleagues, including Helen Frankenthaler, Chaim Gross, Philip Guston, Alex Katz, Jack Levine, Morris Louis, David Oxtoby, and Philip Pearlstein; diaries, daily calendars, notes and writings; personal business records and the business records of Bocour Artist Colors, Inc.; transcripts of interviews with Bocour; and printed material.

This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.