5302 records — Page 429 of 531
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Creators:
Cox, Kenyon, 1856-1919
Dates:
1876-1977
Size:
0.3 Linear feet
Collection ID:
AAA.coxkenyl
Repository:
Archives of American Art

The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.

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Creators:
Wood, Grant, 1891-1942
Dates:
1930-1983
Size:
0.2 Linear feet
Collection ID:
AAA.woodgrap
Repository:
Archives of American Art

The Grant Wood papers measure 0.2 linear feet and date from 1930 to 1983. Included are three newspaper obituaries for Grant Wood and six letters to art educator, Zenobia Ness, discussing his exhibition plans, paintings, Stone City Art Colony, and the Federal Public Works of Art Projects. The collection also contains two letters, including a Stone City brochure, to Walter Pritchard Eaton, Professor of Drama at Yale University. Also found are writings, newspaper clippings containing articles on Wood, and other printed material. Photographs in the collection, some of which are signed, are of Wood in his studio and at the Artist Camp at Stone City, and various works of art.

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Creators:
White, Charles, 1918-1979
Williamson, Mel
Dates:
1956-1961
1956-1961
Size:
0.2 Linear feet
0.2 Linear feet
Collection ID:
AAA.willimel
Repository:
Archives of American Art

The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson measure 0.2 linear feet and date from 1956 to 1961. The collection includes twenty-eight letters written by Charles and Frances White to Melvin (Mel) and Lorraine Williamson shortly after their arrival in California. Approximately half of the letters are written by Charles, the other half by Frances, and two letters are written jointly. Most are signed from "Chas & Fran." Also included in the collection are photographs that Charles and Frances sent the Williamsons of their home and Charles' studio, and printed material including clippings and exhibition brochures.

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Creators:
Van der Marck, Jan, 1929-2010
Dates:
1942-2010
Size:
9 Linear feet
Collection ID:
AAA.vandjan
Repository:
Archives of American Art

The papers or curator and arts administrator Jan Van der Marck measure 9.0 linear feet and date from 1944 to 2010. His career is documented through biographical material, files on artists and art historians, museum administration records, and other professional records. Also found are papers concerning Van der Marck's personal interest and research on modern bookbinding.

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Creators:
Seherr-Thoss, Hans Christoph, Graf von, 1918-
Seherr-Thoss, Sonia P.
Dates:
circa 1960-1968
Size:
4 Linear feet (approximate: 1250 items)
Collection ID:
FSA.A2001.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.

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Creators:
Eckhart, Percy B. (Percy Bernard), 1877-1969
Dates:
1925-1954
1925-1954
Size:
23 Film reels (14,300 feet, 16mm)
23 Film reels (14,300 feet, 16mm)
Collection ID:
HSFA.2017.05
Repository:
Human Studies Film Archives

Percy B. Eckhart was a lawyer, a prolific oil painter, and a supporter of the arts. Most of the film footage in this collection is of travel, but there is also film footage of his family, and of a fiction film.

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Creators:
Solberg, Ramona
Halper, Vicki
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 March 23
Size:
35 Pages (Transcript)
Collection ID:
AAA.solber01
Repository:
Archives of American Art

An interview of Ramona Solberg conducted 2001 March 23, by Vicki Halper, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Solberg's apartment, Seattle, Washington.

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Creators:
Wilson, John, 1922-2015
Brown, Robert F.
Dates:
1993 March 11-1994 August 16
Size:
497 Pages (Transcript)
Collection ID:
AAA.wilson93
Repository:
Archives of American Art

An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.

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Creators:
Eakins, Thomas, 1844-1916
Dates:
1866-1934
Size:
0.2 Linear feet
Collection ID:
AAA.eakithom
Repository:
Archives of American Art

The letters of Thomas Eakins measure 0.2 linear feet and date from 1866 to 1934. They primarily document the period between 1866 and 1869 that he spent studying art in Paris, as well as his career as a portrait artist.

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Creators:
Zilczer, Judith
Dates:
1992-1998
Size:
0.4 Linear feet
Collection ID:
AAA.zilcjudi
Repository:
Archives of American Art

The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, compiled by Judith Zilczer, measure 0.4 linear feet and date from 1992-1998. Papers kept by Zilczer in her capacity as a member of an advisory committee to the General Services Administrations (GSA) Art-in-Architecture Program, charged with recommending works of art to decorate the federal Ronald Reagan Building and International Center. The collection documents the process that resulted in the selection of three works of art: Martin Puryear's Bearing Witness, Stephen Robin's Federal Triangle Flowers, and Keith Sonnier's Route Zenith. The records also document the role of the committee as advocates for the artists when Stop Work Orders for Puryear and Sonnier were issued due to massive construction overruns.

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5302 records — Page 429 of 531