The Center for the Study of Man (CSM) was a bureau level division of the Smithsonian Institution. These records were maintained by the Program Coordinator, Samuel L. Stanley, and include correspondence, scholarly papers, transcripts, administrative materials, photgraphs, and audio recordings. The materials relate to conferences and programs in which CSM took part.

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

This accession consists of records documenting the research of Robert S. Hoffmann. Materials include correspondence, notes, color transparencies, photographs, manuscripts, teaching curricula and exhibition records.

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

The papers of painter and muralist Alson Skinner Clark measure 7.2 linear feet and date from 1870 to 1971, with the bulk of the material from 1890 to 1940. Clark's career is documented through biographical material; correspondence with family, friends, galleries, and dealers; eleven diaries by the artist as well as 16 by his wife Medora Clark; stories and essays by Medora; financial records and business files of art and civilian concerns; assorted printed material including exhibition catalogs and announcements, maps, news clippings (singly and in scrapbooks), advertisements, and ephemera; and photographs of the artist, his friends and family, studio, travels, and artwork.

This accession consists of the records of David Warren, Deputy Director of the National Museum of the American Indian (NMAI) and document project related activities. Materials include correspondence, memoranda, and notes; budget summaries; meeting minutes; collections management information; reports; contract proposals; NMAI construction ...

The papers of painter and educator Robin Tewes measure 8.4 linear feet and date from 1950-2016. The collection documents the life of a veteran New York artist, active in artist run galleries, such as Fifth Street Gallery, and in artists' organizations. Among the papers are biographical material, correspondence, nine notebooks, project files, teaching files, personal business records, printed material, photographic material, artwork, nine sketchbooks, and a few artifacts.

These records mostly consist of staff correspondence and memoranda documenting administrative and program-oriented activities of the Department of Public Programs. The records pertain to fundraising, social history lectures and seminars, the Senior Series Program, budget, educational outreach proposals, grant information, planning for the...

These records for the most part date from 1960, when Ann S. Campbell became Supervisory Management Analyst in the Office of the Assistant Secretary for Administration. These records include correspondence, organization charts, project reports, audit reports, directives (with background information), various task force minutes, MAO internal...

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.