This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need additional …
This accession consists of declined exhibition proposals received from artists, photographers, museums, cultural institutions, and other external organizations. A few proposals were initially accepted before being cancelled or withdrawn. Materials include proposals, correspondence, brochures, object lists, object images, catalogs, books, and related materials. Some materials are in electronic format.
Special Exhibition Records
This accession consists of records documenting the planning and production of exhibitions for the Thomas M. Evans Special Exhibition Gallery in the National Museum of Natural History. Included are photographs and slides of installation of exhibitions, artifacts, and openings; budget and financial documents; planning files; public relations files; newspaper clippings …
Computing History Photographs
Collection consists of black and white and color photographs and some negatives documenting computing history Photographs document primarily individuals, equipment, and computers being used.
Laura Thompson papers
The papers of Laura Thompson reflect the professional and personal life of an active and pioneering anthropologist. In the 1930s, Thompson began her work in applied anthropology, producing studies of Fiji, Guam and Hawaii intended to aid administrators of economic, educational and political development and pioneering approaches now known as "administrative" and "educational" anthropology. In the 1940s, Thompson applied her skills to the Indian Personality, Education and Administration Research Project, a study of eleven communities of five Native American tribes. From the 1950s until the end of her career, Thompson sought to formulate and demonstrate a theoretical anthropological synthesis of man and culture, while pursuing fieldwork in Iceland and Germany, teaching, and consulting for numerous institutions.
This accession consists primarily of photocopies of S. Dillon Ripley's speeches, and includes three audiotapes; subject personal/confidential files including correspondence, reports and memoranda; draft copies of the Secretary's Statement; journal articles for various publications by Ripley; and Administrative Assistant to the Secretary Mary Lynne McElroy's "working files" consisting of …
This record unit consists of master audiotapes for Smithsonian Galaxy editions 126-186, 1983-1987, and Radio Smithsonian programs 600-749, 1981-1984; and elements, or original, unedited tapes for Smithsonian Galaxy editions 104-186, 1982-1987, and Radio Smithsonian programs 689-836, 1983-1985.
This accession consists of records that document the administrative and professional activities of Virginia Beets, Registrar, 1973-1983; Martha Morris, Assistant Registrar, 1973-1983, Registrar, 1984-1990, and Assistant Director for Collections Management, 1990-1993; and Katherine P. Spiess, Deputy Registrar, 1985-1992, and Acting Assistant Director for Collections Management, 1993- . Materials include correspondence, memoranda, and notes; meeting agendas and minutes …
Master, Exhibition, and Project Drawings
This accession consists of master, exhibition, and project drawings created by the Department of Design and Production. The master drawings consist of drawings to which can be added those structures, details, etc. needed to generate specific exhibit or project drawings. These drawings are arranged numerically by gallery or room number …
Janet Kardon papers
The Janet Kardon papers measures 6.7 linear feet and date from 1905, and circa 1950-1995, with the bulk of the records dating from 1975-1991. Papers include exhibition files, professional records, legal records, photographs, printed material, and some audiovisual material. The collection primarily documents Kardon's work on various exhibitions during her time at the Philadelphia College of Art (PCA) and the Institute of Contemporary Art (ICA), University of Pennsylvania.