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Creators:
Trager, Felicia Harben, 1930-
Zaharlick, Ann Marie, 1947-
Trager, George L.
Dates:
1952 - 1990
Size:
130 Sound recordings
4 Linear feet
Collection ID:
NAA.2012-14
Repository:
National Anthropological Archives

This collection consists of Amy Zaharlick's research and sound recordings on Picuris and other Pubeloan languages as well as the field recordings and notes given to Zaharlick by anthropologist and fellow Picuris specialist, George L. Trager.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
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Dates:
1971-1972
Size:
5 Boxes
The subseries consists of black and white silver gelatin negatives and index cards.
Collection ID:
NMAH.AC.0618.S04.07
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.7 consists of black and white silver gelatin negatives and index cards. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
National Museum of American History. Office of the Director
Dates:
1981-2001
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 02-100
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Office of the Director and the daily administration of the National Museum of American History (NMAH), as well as material concerning Smithsonian issues during the tenures of Roger G. Kennedy and Spencer R. Crew. The records primarily include correspondence, memoranda, a...

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
circa 1967-1983
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 444
Repository:
Smithsonian Institution Archives

These records consist of files maintained by Harry Lowe in his positions as Curator of Exhibits and Assistant, Acting, and Deputy Director.

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Creators:
National Museum of American Art. Exhibitions Coordinator
Dates:
1982-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 449
Repository:
Smithsonian Institution Archives

These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art: Animal Subject by American Sculptors, 1985, and Still Lifes by Henry Lee McFee by Henry Lee McFee, 198...

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Creators:
Smithsonian Institution. Assistant Secretary for History and Art
Dates:
1962-1982
Size:
44.54 cu. ft. (41 record storage boxes) (1 document box) (1 12x17 box) (2 16x20 boxes) (2 oversize folders)
Collection ID:
Record Unit 337
Repository:
Smithsonian Institution Archives

These records document the work of Susan A. Hamilton as Bicentennial Coordinator, acting under the direction of the Assistant Secretary for History and Art. They also cover preliminary planning for Bicentennial programs carried out between 1968 and the creation of the Office in 1971. For a fuller record of such activities, researchers should ...

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Creators:
National Museum of American Art. Office of the Director
Dates:
1970-1983, with records dating from 1934
Size:
48.5 cu. ft. (97 document boxes)
Collection ID:
Record Unit 322
Repository:
Smithsonian Institution Archives

These records document the tenure of Joshua C. Taylor as Director, 1970-1981, with small amounts of materials from 1960s. Additionally some records date back to 1934. In addition there is a folder of correspondence with David E. Finley dated 1938-1977. Included are files on museum offices, Smithsonian offices, various art commissions, other ...

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Smithsonian Institution. Assistant Secretary for Science
Dates:
1963-1978
Size:
76.5 cu. ft. (153 document boxes)
Collection ID:
Record Unit 254
Repository:
Smithsonian Institution Archives

These records consist of a correspondence register; files on bureaus administered by the office, including reorganization proposals for SSIE, 1972-1973, photographs of the STRI facility at Barro Colorado Island, the Johnson-Sea-Link Accident, 1973, SAC's Multiple Mirror Telescope project, 1975-1976, and the Foreign Currency Program country ...

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Creators:
Mosler, Henry, 1841-1920
Dates:
1856-1929
Size:
4.8 Linear feet
Collection ID:
AAA.moslhenr
Repository:
Archives of American Art

The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.

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