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Creators:
Smithsonian Institution. Deputy Assistant Secretary for Research
Dates:
circa 1979-1990
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Record Unit 527
Repository:
Smithsonian Institution Archives

These records consist of the files of Ross B. Simons through 1989 and document his responsibilities in the science bureaus of the Smithsonian Institution, particularly its environmental programs. The records include correspondence and memoranda, reports, fellowship information, minutes of meetings, and budget files. Researchers should also co...

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Creators:
Electricity and Modern Physics, Division of, NMAH, SI.
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
circa 1874-1935
1955-1957
Size:
36 Cubic feet (84 boxes, 16 folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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Creators:
Smithsonian Institution. Assistant Secretary for the Arts and Humanities
Dates:
1979-1994
Size:
9.69 cu. ft. (9 record storage boxes) (1 16x20 box)
Collection ID:
Accession 94-117
Repository:
Smithsonian Institution Archives

This accession consists of the records of Tom L. Freudenheim, Assistant Secretary for the Arts and Humanities. Freudenheim became the first Assistant Secretary for Museums when the office was created in February 1986 to absorb some functions of the Office of the Assistant Secretary for Museum Programs, which had been held by Paul N. Perro...

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Creators:
Prown, Jules David
Dates:
1935-2010
bulk 1958-1975
Size:
11.8 Linear feet
0.004 Gigabytes
Collection ID:
AAA.prowjule
Repository:
Archives of American Art

Jules David Prown research material on artists measures 11.8 linear feet and 0.004 GB and dates from 1935 to 2010, with the bulk of the material dating from 1958 to 1975. Prown, an art historian and educator, is an authority on the work of artist John Singleton Copley, and these papers contain related notes, subject files, correspondence, portrait and attribution files, and photographs and digital photographs of artwork. Also found are Prown's research files on other artists, including Benjamin West, typescripts of his lectures, and copies of his published writings.

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Creators:
Procter & Gamble Company
Mars, Incorporated
Sosa, Lionel
Sosa, Bromley and Aguilar and Associates (San Antonio, Texas)
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Dates:
1981-1997
Size:
14 Cubic feet (31 boxes and 1 map folder)
Collection ID:
NMAH.AC.1351
Repository:
Archives Center, National Museum of American History

The collection documents the work of the Sosa, Bromley and Aguilar and Associates advertising agency of San Antonio, Texas.

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Creators:
Vanguard Productions
Yasecko, Nancy
Dates:
1957-2011
bulk 1980-1990
Size:
13 Cubic Feet (6 boxes)
86 sound tape reels (5" Open Reels)
2 videodiscs (dvd) (Total runtime of 1:13:21)
43 video recordings (Total runtime of 33:14:55)
1 electronic discs (cd)
25 sound cassettes
145 film reels (143 16mm film reels - runtime of 40:24:65 2 35mm film reels - runtime of 58:23)
Collection ID:
NASM.2012.0024
Repository:
National Air and Space Museum Archives

The documentary film Growing Up With Rockets, produced by Vanguard Productions and Nancy Yasecko and released in 1984, is the story and personal reminiscences of the children, now grown, of those who worked at Cape Canaveral. The film discusses the Bumper Project (using captured V-2 missiles after World War II); Sputnik; the Cuban Missile Crisis; the Mercury, Gemini, and Apollo programs; and ends with the first flight of Space Shuttle Columbia (OV-102) in 1981. Nancy Yasecko offers first person commentary with rare archival film, newsreels, excerpts from NASA promotional films, home movies and contemporary footage. In 1990, under the auspices of Citizen Exchange Council (CEC), a NY-based Soviet-American exchange organization, Growing Up With Rockets was included in the American Documentary Showcase. The Showcase was the first uncensored collection of American documentary films ever to reach general audiences across the USSR.

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Creators:
Mattachine Society of Washington
Dates:
1978-2013, undated
Size:
4.1 (13 boxes) Cubic feet
Collection ID:
NMAH.AC.1428
Repository:
Archives Center, National Museum of American History

Papers and publications collected by the Mattachine Society of Washington, DC relating to the gay to straight conversion therapy program known as Love in Action (LIA) and director of the Memphis, Tennessee LIA, John J. Smid and author Garrard Conley.

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Creators:
Begun, S. Joseph (Semi Joseph), 1905-1995
Dates:
1888-2000
bulk 1927-1995
Size:
21 Cubic feet (46 boxes)
Collection ID:
NMAH.AC.0535
Repository:
Archives Center, National Museum of American History

Semi Joseph Begun was a pioneer in magnetic recording. The papers document Begun's professional career in the field of magnetic recording.

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Creators:
Constable, W. G. (William George), 1887-1976
Dates:
1905-1983
bulk 1920-1976
Size:
25.7 Linear feet
Collection ID:
AAA.conswmgp
Repository:
Archives of American Art

The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.

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Creators:
Wildschut, William
Dates:
1870-1930
bulk 1917-1928
Size:
183 negatives (photographic)
21 Photographic prints
Collection ID:
NMAI.AC.001.033
Repository:
National Museum of the American Indian

The William Wildschut photograph collection contains 183 photographic negatives, and 89 post cards. From 1917 to 1928 William Wildschut studied the Apsáalooke people through interviews, photography, and the collection of cultural objects. In 1921 Wildschut was hired as a field man by George Gustav Heye the director of the Museum of the American Indian, Wildschut officially collected and conducted field expeditions in Montana, Wyoming, Idaho, Canada, and North Dakota on behalf of the Museum until 1928. Wildschuts photographs include portrait style photos of Apsáalooke people, special events, daily reservation life, interments, and encampments. Tribes represented in this collection are primarily Apsáalooke, the postcard collection consists of other tribes including Lakota, Arapaho, and other unidentified tribes.

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