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Creators:
Attie, Dotty, 1938-
Dates:
circa 1950s-2014
Size:
2.5 Linear feet
Collection ID:
AAA.attidott
Repository:
Archives of American Art

The papers of New York City painter and printmaker Dotty Attie measure 2.5 linear feet and date from circa 1950s to 2014. Her papers include scattered biographical material, professional files, notes, personal business records, photographs, artwork, and 12 sketchbooks.

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Creators:
Orth, Edward J.
Exhibition Collectors Historical Organization
Dates:
1900 - 1989
Size:
130 Cubic feet (417 boxes)
Collection ID:
NMAH.AC.0560
Repository:
Archives Center, National Museum of American History

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes materials on other world's fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and Disney.

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Creators:
Arnheim, Rudolf
Dates:
1919-1998
Size:
9.6 Linear feet
Collection ID:
AAA.arnhrudo
Repository:
Archives of American Art

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

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Creators:
Zabriskie Gallery
Dates:
1951-2010
Size:
120.7 Linear feet
2 Items (rolled docs)
Collection ID:
AAA.zabrgall
Repository:
Archives of American Art

Records of the New York and Paris locations of Zabriskie Gallery, including artist and subject files, financial records, and business records.

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Creators:
Bauer, Rudolf, 1889-1953
Dates:
1918-1983
Size:
1.1 Linear feet
Collection ID:
AAA.bauerudo
Repository:
Archives of American Art

Drafts of letters and a few letters received; business records; legal documents; writings; printed material; and photographs primarily regarding Bauer's work as a non-objective painter, and his relationship with the Solomon R. Guggenheim Foundation and its first director Hilla Rebay.

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Creators:
Partridge, William Ordway, 1861-1930
Dates:
1879-1920
1957
Size:
0.2 Linear feet
Collection ID:
AAA.partwill
Repository:
Archives of American Art

The papers of sculptor, author, and poet, William Ordway Partridge, who was active in New York City and Washington, D.C., measure 0.2 linear feet and date from 1879-1920, and 1957. This small collection consists primarily of letters to Partridge from artists, political figures, art historians, and authors; drafts and typescripts of Partridge's poems; and two clippings about Partridge's sculpture.

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Creators:
Constant, George
Dates:
1912-2007
bulk 1932-1978
Size:
4.6 Linear feet
Collection ID:
AAA.consgeor
Repository:
Archives of American Art

The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.

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Creators:
Meiere, M. Hildreth, d. 1961
Dates:
1901-2011
bulk 1911-1960
Size:
27.3 Linear feet
0.068 Gigabytes
Collection ID:
AAA.meiemari
Repository:
Archives of American Art

The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

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Creators:
Adams, Molly, 1918-2003
Dates:
circa 1960-1994
Size:
0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
Collection ID:
AAG.ADM
Repository:
Archives of American Gardens

The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

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Creators:
McEntee, Jervis, 1828-1891
Dates:
1796, 1848-1905
Size:
1.6 Linear feet
Collection ID:
AAA.mcenjerv
Repository:
Archives of American Art

The papers of Hudson River School painter Jervis McEntee measure 1.6 linear feet and date from 1796 and 1848 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.

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