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Creators:
National Air and Space Museum
Dates:
1971-1977
Size:
53 cu. ft. (53 record storage boxes)
Collection ID:
Record Unit 358
Repository:
Smithsonian Institution Archives

These records document the construction of the new National Air and Space Museum (NASM) building, from ground-breaking in 1972 until opening in July 1976. The majority of the records were in the custody of the Building Management Division of the museum, while a smaller amount come from the Smithsonian's Office of Design and Construction. ...

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting ...

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Creators:
Hale, Ellen Day, 1855-1940
Dates:
circa 1860-1952
Size:
3 Linear feet
Collection ID:
AAA.halefami
Repository:
Archives of American Art

The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.

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Creators:
Valentine Gallery (New York, N.Y.)
Dates:
circa 1890-circa 1960
Size:
1.8 Linear feet
Collection ID:
AAA.valegall
Repository:
Archives of American Art

The records of the New York City based Valentine Gallery measure 1.8 linear feet and date from circa 1890 to 1960. The bulk of the material documents the gallery's dealings with artists Louis Eilshemius, John Kane, Henri Matisse, and C.S. Price. Additionally, there is one scrapbook which contains printed materials regarding Valentine Gallery exhibitions from 1925-1936.

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Creators:
Gurr, Lena, 1897-1992
Dates:
1908-1979
Size:
7 Linear feet
Collection ID:
AAA.gurrlena
Repository:
Archives of American Art

The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Kaplan, Joseph, 1900-1980
Dates:
1915-1977
Size:
4.5 Linear feet
Collection ID:
AAA.kapljose
Repository:
Archives of American Art

The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.

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Creators:
Bacon, Peggy, 1895-1987
Dates:
1893-1973
bulk 1900-1936
Size:
4 Linear feet
Collection ID:
AAA.bacopegg
Repository:
Archives of American Art

The papers of printmaker, illustrator, caricaturist, and writer Peggy Bacon measure 3.6 linear feet and date from 1893 to 1973, with the bulk of materials dating from 1900 to 1936. Much of the collection consists of family correspondence, although writings, photographs, artwork, and personal business records from Bacon's late career are also found.

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Creators:
Gugler, Eric, 1889-1974
Dates:
1889-1977
Size:
34.4 Linear feet
Collection ID:
AAA.gugleric
Repository:
Archives of American Art

The papers of architect and painter Eric Gugler measure 34.4 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

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Creators:
Maertz, J.F., Department Store (Milwaukee, Wis.).
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
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Dates:
1887-1930
bulk 1900-1930
Size:
8 Cubic feet ((29 boxes))
Collection ID:
NMAH.AC.0945
Repository:
Archives Center, National Museum of American History

Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.

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