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Creators:
Breeskin, Adelyn Dohme, 1896-1986
Dates:
circa 1934-1986
Size:
2.5 Linear feet
Collection ID:
AAA.breeadel
Repository:
Archives of American Art

The papers of Baltimore, Maryland, and Washington D.C. art historian and museum curator Adelyn Dohme Breeskin, measure 2.5 linear feet and date from circa 1934-1986. The papers provide scattered documentation of Breeskin's career, focusing on writings and lectures delivered in the United States and abroad, and briefly documenting her work as an art exhibition juror, as a consultant, and as a teacher of a community art course. The collection also includes papers documenting some of Breeskin's research on Loren MacIver, Mary Cassatt, and others, and is comprised of biographical material, personal and professional correspondence with artists, friends, and colleagues, manuscript and lecture notes and drafts, professional files, sound recordings, and a few photographs.

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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Creators:
Levy, Robert I. (Robert Isaac), 1924-
Dates:
1947-2001, undated
Size:
262 sound recordings
37.4 Linear feet (71 boxes, 5 map-folders)
Collection ID:
NAA.2014-11
Repository:
National Anthropological Archives

The Robert I. Levy papers document his field work, research and professional activities from 1949-2001 and primarily deal with his work studying social organization, culture, and their psychological effects in Tahiti and Nepal. The collection consists of correspondence, field notes, sound recordings of interviews with informants in Tahiti and Nepal, interview transcripts and analyses, language and culture research materials, maps, and color slides. Also included are files about his books, articles, essays, and lectures; course materials from his time as a professor at the University of California, San Diego (UCSD); and conference files.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1795-1970
Size:
14.46 Cubic feet (consisting of 30.5 boxes, 1 folder, 11 oversize folders, 1 map case folder, 1 flat box (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Food
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Food forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
James McNeill Whistler, 1834-1903
Dates:
1863-1906, circa 1940
Size:
0.2 Linear feet
Collection ID:
AAA.whisjame2
Repository:
Archives of American Art

The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

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Creators:
Benton, Fletcher, 1931-
Dates:
1934-2014
Size:
8.7 Linear feet
1.47 Gigabytes
Collection ID:
AAA.bentflet
Repository:
Archives of American Art

The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.

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Creators:
Sheets, Millard, 1907-1989
Dates:
circa 1907-2000
Size:
27.6 Linear feet
Collection ID:
AAA.sheemill
Repository:
Archives of American Art

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

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Creators:
Cornell, Joseph
Dates:
1804-1986
bulk 1939-1972
Size:
24.9 Linear feet
Collection ID:
AAA.cornjose
Repository:
Archives of American Art

The papers of Joseph Cornell (1903-1972) measure approximately 24.9 linear feet and date from 1804 to 1986 with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers. The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.

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Dates:
2016-2018
Size:
855.72 Gigabytes (96 MP3's; 19 QuickTime Movies, 12.3 GBs of Audio Interviews 843.42 GBs of Video Interviews )
Collection ID:
ACMA.03-119
Repository:
Anacostia Community Museum Archives

The oral histories in this collection were conducted as part of the research for an exhibition exploring the history of neighborhood change and civic activism in the nation's capital. Focused on the dynamic histories of six DC neighborhoods—Adams Morgan, Anacostia, Brookland, Chinatown, Shaw and Southwest—the exhibition recounted the story of these communities through the eyes of the Washingtonians who helped shape and reshape the city in extraordinary ways. The exhibit was organized by the Anacostia Community Museum and curated by Samir Meghelli. The audio and video interviews were conducted between 2016-2018.

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