574 records — Page 45 of 58
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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1972-1982
Size:
8 cu. ft. (6 record storage boxes) (4 document boxes)
Collection ID:
Accession 86-052
Repository:
Smithsonian Institution Archives

This accession consists of audiotapes and videotapes of interviews; lectures of the exhibit, Drugs: A Special Exhibition; and conservation training programs.

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Creators:
Orth, Edward J.
Exhibition Collectors Historical Organization
Dates:
1835-2000, undated
Size:
130 Cubic feet (417 boxes, 25 map-folders)
Collection ID:
NMAH.AC.0560
Repository:
Archives Center, National Museum of American History

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.

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Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

Primarily war-related posters.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1743-1963
bulk 1846-1962
Size:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Whiskey
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Kendall Productions
Dates:
1952-2006
bulk 1997-2004
Size:
4.6 Cubic feet (3 cartons, 2 oversized boxes)
Collection ID:
ACMA.06-055
Repository:
Anacostia Community Museum Archives

The Kendall Productions records date from 1952-2006 with the bulk of material dating from 1997-2004 and measure 4.42 cubic feet. The records consist of material documenting the Kendall Productions documentary Dance Party: The Teenarama Story which first aired on Howard University's PBS affiliate WHUT in 2006. The records are comprised of research and production notes, government records, newspaper articles, questionnaires, photographs, letters, and scripts, accompanied by a significant amount of original media in the following formats: VHS and Beta videocassettes, audiocassettes, and audio compact discs.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1839-1986, undated
Size:
94 Boxes
Collection ID:
NMAH.AC.0300.S16
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 16: Country, Western, and Folk Music contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Smithsonian Productions
Dates:
1989-2001
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 09-077
Repository:
Smithsonian Institution Archives

This accession consists of videotapes and audio elements documenting Smithsonian Institution orientation productions for the Visitor Information and Associates' Reception Center (VIARC) created by Smithsonian Productions and its predecessor, the Office of Telecommunications. The first production, titled "The Smithsonian Institution," was compl...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1803-1961
Size:
4.19 Cubic feet (consisting of 9 boxes, 1 folder, 5 oversize folders, 1 map case folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Paints
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Karp, Ivan
Dates:
circa 1945-2012
bulk 1969-2012
Size:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Collection ID:
NAA.2013-30
Repository:
National Anthropological Archives

Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

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574 records — Page 45 of 58