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Creators:
Bearden, Romare, 1911-1988
Dates:
1937-1982
Size:
2.1 Linear feet
Collection ID:
AAA.bearroma
Repository:
Archives of American Art

The papers of Romare Bearden measure 2.1 linear feet and date from 1937 to 1982. The collection includes biographical information, correspondence, writings by and about Bearden, miscellaneous legal and financial material, photographs, drawings, and printed material. Found are numerous letters referring to African-American arts movements of the 1960s and 1970s, including exhibitions, publications, associations, and scattered letters of a more personal nature.

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Creators:
Automatic Button Company.
American Pearl Button Company.
Claus Schmarje Button Company.
Barry Manufacturing Company.
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Dates:
1898 - 1993
Size:
13 Cubic feet (55 boxes, 4 map folders)
Collection ID:
NMAH.AC.0504
Repository:
Archives Center, National Museum of American History

Collection documents the manufacture of both freshwater pearl and plastic buttons in Muscatine, Iowa, including at least 12 different companies from primarily 1925 to the 1960s.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1836-1980
Size:
2.37 Cubic feet (consisting of 5 boxes, 1 folder, 4 oversized folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Mining
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Mining forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
circa 1989-2001
Size:
6.58 cu. ft. (6 record storage boxes) (1 tall document box)
Collection ID:
Accession 07-062
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning, production, and execution of traveling and other special exhibitions. Exhibitions documented in this accession include "Vikings: The North Atlantic Saga;" "Meteorites on a Mission;" "Linnaean Taxonomy in the 21rst Century;" "Voyages of Discovery;" "Anteaters: Fast Food Specialists;" ...

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
undated
Size:
1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))
62 albumen prints (b&w, 25 cm. x 20 cm. or smaller)
Collection ID:
FSA.A2011.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.

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Creators:
Musical History, Division of (NMAH, SI)
Odell, Scott, 1935-
Dates:
1964-1977
Size:
18 Cubic feet
Collection ID:
CFCH.ODEL
Repository:
Ralph Rinzler Folklife Archives and Collections

The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.

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Creators:
Homer, Winslow, 1836-1910
Dates:
1900-1904
Size:
0.2 Linear feet
Collection ID:
AAA.mknoeco
Repository:
Archives of American Art

This small collection of twenty-two letters written by painter and illustrator Winslow Homer to his art dealer, M. Knoedler and Company, date from 1900 to 1904. These letters to the New York gallerist concern the logistics of selling his paintings and also reference agents, collectors, and art institutions where his work was being exhibited.

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Creators:
Berger, David, 1920-1966
Dates:
circa 1939-1986
Size:
3.8 Linear feet
Collection ID:
AAA.bergdavi
Repository:
Archives of American Art

The papers of Massachusetts painter, sculptor, and educator David Berger measure 3.8 linear feet and date from circa 1939 to 1986. His career as an artist and professor are documented through biographical material, personal business records, scattered correspondence, gallery files, exhibition catalogs, news clippings, and other printed material, as well as nine sketchbooks and photographs depicting Berger, his family, and artwork.

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
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Dates:
1951-1994, undated
Size:
57 Boxes
Collection ID:
NMAH.AC.0618.S09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907 to 1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 9 includes the administrative, financial, sales, personnel, and office files of Custom Craft. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Horowitz, Raymond J., 1916-2005
Dates:
1903-2007
bulk 1960-2007
Size:
5.4 Linear feet
Collection ID:
AAA.hororaym
Repository:
Archives of American Art

The papers of collectors Raymond and Margaret Horowitz measure 5.4 linear feet and date from 1903-2007, with the bulk of the material dating from 1960- 2007. The collection documents the Horowitzes' activities as collectors through art collection files, including appraisals, sales information, printed material, and photographs of artwork; files of artwork sold or donated; accession records, including inventory lists of paintings and prints; and catalog information.

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