The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

Collection consists of the commercial artwork created by artist Albert W. Hampson dating predominately from during the 1950s and 1960s.

The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. the papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.

The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.

Correspondence, patents, photographs, newspaper clippings, and subject files about various inventors and ideas. Collection documents women inventors, American culture, 1950s-1970s, and products designed for women and the home. Donovan's papers offer a near complete invention record, including both successes and failures, as well as patent and trademark correspondence.

The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).

The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.