These records document the administrative activities of the Office of Plant Service (OPlantS), Horticulture Services Division. Materials include correspondence and memoranda pertaining to greenhouse construction; Smithsonian grounds maintenance; outgoing loans, grants, and gifts; slide collections; contracts with private companies and ind...

Photographs depicting Gay Head Indians including portraits as well as images of people at Martha's Vineyard Beach, in boats, near their homes, and on or around trains. Many of the copies were made from case photographs. The collection also includes photocopies of the original photographs with identifications by Gale Huntington, a lifetime resident ...

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Calendars forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The collection is comprised of digital surrogates previously available on the 65 rolls of microfilm described in the NARA publication M1907. These digital surrogates reproduced the records of the Mississippi headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. The files contain some pre–Bureau record series, dated 1863–1864, that were created by military commanders and U. S. Treasury agents who dealt with refugees and freedmen during the Civil War. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, and other records relating to freedmen's claims and bounty payments.

The collection consists of newslettersDodgers Line Drives, Brooklyn Dodgers Fan Club Newsletter, and Gabe-o-gram, albums of trading cards and Hall of Fame postcards, many of which have been autographed. There are also photographs of teams, individual players, and a photograph of Ronald Gabriel with Babe Ruth. There is a large scrapbook containing over 1000 autographs and several items of baseball ephemera, including placemats, magnets, scorecards, team schedules, programs, and posters.

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

This accession consists of records documenting research performed by the staff of the Dept. of Zoological Research. The majority of the records were created and maintained by Devra G. Kleiman who served as Scientist, 1972-1982; Acting Assistant Director for Animal Programs, 1982-1983; Assistant Director for Animal Programs, 1983-1984; Assistan...

The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.

Collection contains sixty-two posters commemorating the Monterey Jazz Festival, created, designed, and signed by Earl Newman.