This collection is comprised of digital surrogates previously available on the 12 rolls of microfilm described in NARA publication M1026. These digital surrogates reproduced the records of the Superintendent of Education for the State of Louisiana, Bureau of Refugees, Freedmen, and Abandoned Lands, 1864-69. The records consist of 18 bound volumes and nearly 2.4 meters (8 feet) of unbound documents. The bound volumes include letters, telegrams, and endorsements sent; registers of employees; accounts with freedmen schools; and other records. The unbound documents consist primarily of letters and telegrams sent and reports sent and received.

Approximately 86,000 photographic negatives (Series 1) and twenty-three drawers of file cards (Series 2) comprise the collection. Most of the pictures are studio portraits. Series 1: Photonegatives The majority of the negatives are glass plates, 5 x 7 inches. Approximately 10% of the total number of images are on film, also 5 x 7 inches, and al...

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

This collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M809. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Alabama, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 17 volumes and some unbound documents. The volumes include letters, reports, endorsements, and telegrams sent; orders issued; and registers of letters received. The unbound records include letters, reports, and issuances received. Except for some unfilmed duplicate copies this microfilm publication contains all the records created or received in the office of the Assistant Commissioner for Alabama.

The collection is comprised of digital surrogates previously available on the 21 rolls of microfilm described in the NARA publication M1055. These digital surrogates reproduced the records of the Assistant Commissioner for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–69. The records consist of 42 bound volumes and 18 feet of unbound documents. The bound volumes include letters and endorsements sent, registers of letters received, and special orders issued. The unbound letters consist primarily of letters and reports received.

This collection contains 374 photographic prints and 38 copy negatives made by Grace Nicholson, a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The majority of the photographs were made between 1910 and 1930 among various native communities in California, though there are smaller amounts of photographs in Arizona and New Mexico. Communities photographed include—Hupa, Yurok, Pomo, Karuk (Karok), Tolowa, Yokayo Pomo, Achomawi (Pit River), Atsugewi (Hat Creek), Hopi Pueblo, Kumeyaay (Digueno), Mojave (Mohave), Paiute, Taos Pueblo, Wintu, Acoma Pueblo, Maidu, Chukchansi Yokuts, Yokuts.

The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. W...

This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.

Original photographs and negatives taken by Robert C. Malone.