4731 records — Page 449 of 474
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Creators:
Eggan, Fred, 1906-1991
Ewbank, Thomas
Fischell, A.
French, Kathrine S. (Kathrine Story), 1922-2006
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Dates:
1834-1964
Size:
7 Linear feet (14 boxes)
Collection ID:
NAA.2007-11
Repository:
National Anthropological Archives

The records of the American Ethnological Society (AES) document its activities from its founding in 1842 through the mid-1960s. The American Ethnological Society is the oldest anthropological association in America. It has been interested in publishing and promoting study of different cultures in the Americas from its founding in 1842 to the present. Materials include correspondence, reports, and financial records relating to the administrative functions of the organization.

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Creators:
Currier, Thomas, 1906-1986
Currier, Terrence P.
Granville, Bonita
Warner, H.B.
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Dates:
1928-1986.
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1120
Repository:
Archives Center, National Museum of American History

Thomas Currier (1906-1986) and his partner Max Zides (1904-1975) formed the radio, vaudeville, night club and television song and patter duo known as Hum (Zides) and Strum (Currier). The collection documents the career of Currier and Zides as Hum and Strum.

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Creators:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Chicago, Burlington & Quincy Railroad Company.
Work and Industry, Division of, NMAH, SI
Dates:
1890-1915, undated.
Size:
2.33 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1080
Repository:
Archives Center, National Museum of American History

The photographic images in this collection are largely of railway bridge construction and other properties owned by the Chicago, Burlington & Quincy Railroad Company at the turn of the twentieth century. Images are of two distinct projects (mostly construction) taken in and around the St. Louis, Missouri area (1890-1900): of a bridge project (name and location unknown) spanning 1902-1903; and of the construction of the Metropolis Bridge (that crosses the Ohio River at Metropolis, Illinois, about 12 miles south of Paducah, Kentucky) between 1914-1915. For the latter project Ralph Modjeski originally served as consultant engineer and then as chief civil engineer of construction. There are also negatives of unidentified bridge construction.

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Creators:
Clarke, Thomas B. (Thomas Benedict), 1848-1931
Dates:
1893-1897
Size:
0.2 Linear feet
Collection ID:
AAA.clartbhm
Repository:
Archives of American Art

The Thomas B. Clarke letters from or about Homer Dodge Martin measure 0.2 linear feet and date from 1893-1897. Twenty-two letters from Martin to art collector and patron Thomas B. Clarke, document Martin's work, his financial struggles, and his physical and mental condition in the last 5 years of his life. Additional letters to and from others further illuminate Martin's relationship with Clarke and provide insight into his financial affairs and the increasingly favorable market for the painter's work just prior to and following his death in 1897.

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Creators:
Belasco Theatre (New York, N.Y.)
Columbia Theatre (Washington, D.C.)
Belasco Theatre (Washington, D.C.)
Herald Square Theatre (New York, N.Y.)
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Dates:
1893-1948, undated
bulk 1897-1918
Size:
2 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.1205
Repository:
Archives Center, National Museum of American History

These scrapbooks were created to record programs from various theaters in Washington, D.C. and New York. They contain playbills, advertisements, and cast lists.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
circa 1984-1991
Size:
99.46 cu. ft. (97 record storage boxes) (1 document box) (2 16x20 boxes) (1 tall document box)
Collection ID:
Accession 91-164
Repository:
Smithsonian Institution Archives

This accession consists of production elements and records, maintained by Sandra Wentworth Bradley, created for "Smithsonian World," an educational television series that explored people, ideas, and events that shape world culture, blending art, science, history, and the humanities to create an exciting harmony among disciplines. The productio...

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Creators:
Cooper, Paul L. (Paul Lemen), 1909-1961
River Basin Surveys
Dates:
1909-1962
Size:
3 Linear feet (5 boxes)
Collection ID:
NAA.1988-01A
Repository:
National Anthropological Archives

This collection is comprised of the professional papers of archaeologist Paul Lemen Cooper, who conducted extensive field work in Nebraska, the Dakotas, and the Missouri River Basin. Included are correspondence, field notes, survey forms, published writings, photographs, maps, research materials, and clippings from periodicals, as well as various p...

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Creators:
Holmes, William Henry, 1846-1933
Dates:
1879-1955
Size:
0.2 Linear Feet
Collection ID:
AAA.holmwill
Repository:
Archives of American Art

The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.

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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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4731 records — Page 449 of 474