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Creators:
Liberman, Alexander, 1912-1999
Dates:
circa 1912-2003
Size:
59 Linear feet
Collection ID:
AAA.libealex
Repository:
Archives of American Art

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

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Creators:
Berman, Avis
Dates:
1939-2006
Size:
3 Linear feet
Collection ID:
AAA.bermavis3
Repository:
Archives of American Art

The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.

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Creators:
Schoener, Allon
Dates:
1966-2007
Size:
3 Linear feet
0.371 Gigabytes
Collection ID:
AAA.schoallo
Repository:
Archives of American Art

The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1980-1993
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 00-101
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, proposals, brochures, and color slides.

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
circa 1967-1983
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 444
Repository:
Smithsonian Institution Archives

These records consist of files maintained by Harry Lowe in his positions as Curator of Exhibits and Assistant, Acting, and Deputy Director.

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Creators:
National Museum of American Art. Office of Administrative Services
Dates:
1968-1985
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Record Unit 475
Repository:
Smithsonian Institution Archives

These records consist primarily of the files of Charles J. Robertson and H. Eugene Kelson as Associate Administrator and Administrator, respectively, including Robertson's files as Treasurer of the American Association of Museums, 1982-1984. A few files date back to the late 1960s and the 1970s. Also included is an occasional memorandum of Rob...

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Creators:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981
Janus, Allan
Hanfstaengl, Erna
Dates:
circa 1790-1981
bulk 1945-1980
Size:
87.6 Cubic feet (318 boxes)
Collection ID:
NMAH.AC.0145
Repository:
Archives Center, National Museum of American History

This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. W...

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Creators:
Sheeler, Charles, 1883-1965
Dates:
circa 1840s-1966
bulk 1923-1965
Size:
4.9 Linear feet
Collection ID:
AAA.sheechar
Repository:
Archives of American Art

The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. Notable photographs include Sheeler with Edward Weston, Edward Steichen, and John Marin.

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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