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- Dates:
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1865–1870
- Size:
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38 Microfilm
- Collection ID:
- NMAAHC.FB.M843
- Repository:
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National Museum of African American History and Culture
This collection is comprised of digital surrogates previously available on the 38 rolls of microfilm described in the NARA publication M843. These digital surrogates reproduced the previously un–filmed records of the Assistant Commissioner for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 32 volumes and approximately 20 linear feet of unbound records. The volumes include letters and endorsements sent; registers of letters received; telegrams sent and received; special orders, general orders, and circulars; register of persons recommended as inspectors of elections; a register of apprentices indentured; and index books. The unbound series consist mainly of letters received, orders, reports, and freedmen's labor contracts. These documents were created or received by the Assistant Commissioner, the Acting Assistant Commissioner, or either of two staff officers who acted for the Assistant Commissioner.
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- Creators:
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Sato, Sanji (student)
Satow, R. (student)
Satow, Susama Paul (student)
Lamboley, E. Gerald
More … - Dates:
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1942-1943
- Size:
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0.12 Cubic feet (1 folder, 6 letters)
- Collection ID:
- NMAH.AC.0450
- Repository:
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Archives Center, National Museum of American History
Letters from students of Japanese-American ancestry to Miss Cox, their former teacher at the Edward Kelley School in Sacramento, California. This teacher has been identified as Mary Aline Cox by Ms. Colleen Zoller, January 13, 2009.
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- Dates:
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1992-1999, 2005
- Size:
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13 audiotapes (reference copies).
- Collection ID:
- Record Unit 9596
- Repository:
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Smithsonian Institution Archives
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
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- Creators:
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Clark, Austin Hobart, 1880-1954
- Dates:
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1883-1954 and undated
- Size:
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10.61 cu. ft. (19 document boxes) (1 half document box) (2 12x17 boxes)
- Collection ID:
- Record Unit 7183
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
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- Dates:
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1870-1918
- Size:
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3 Microfilm reels
- Collection ID:
- AAA.centillu
- Repository:
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Archives of American Art
Correspondence of the Century Magazine and its predecessors, Scribner's Monthly, and St. Nicholas Magazine. Also included is material related to the Century War Series.
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- Creators:
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Falk, Johnny, 1906-1992
Falk, Pauline
- Dates:
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1904-1998
bulk 1935-1980
- Size:
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24 Linear feet
- Collection ID:
- FSA.A2002.03
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron (Johnny) Falk Jr. (1906-1992), 1904-1998. Created and collected by the Falks, this collection includes: biographical data; black-and-white and color prints of art objects and people; photo albums of art objects in the Falk's art collection; symposium papers, scholarly reviews, and...
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- Creators:
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Sayre, Eleanor A.
Brown, Robert F.
- Dates:
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1993 April 19-1997 January 10
- Size:
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213 Pages (Transcript)
- Collection ID:
- AAA.sayre93
- Repository:
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Archives of American Art
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
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- Creators:
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Goldfrank, Esther Schiff
- Dates:
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1920-1980
- Size:
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7 Linear feet
- Collection ID:
- NAA.1982-24
- Repository:
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National Anthropological Archives
The Esther Schiff Goldfrank papers, 1920-1980, document her professional life in anthropology. Much of the field material and reading notes relate to Goldfrank's work on the Pueblos, Navahos, Blood, and Teton Dakota. There is also considerable material of colleagues. Some of this seems to have been given to her directly. Other material, particularly that of Ruth Benedict's Blackfoot project, was acquired by Margaret Mead and then sent to Goldfrank. Included are field notes or manuscript articles concerning the Blackfoot Indians by Benedict, Harry D. Biele, Marjorie Lismer, Jane Richardson, and George D. Spindler. Most of the photographs in the collection concern Goldfrank's early travels with Franz Boas or Harvey Biele's work with the Bloods. Copies of illustrations used in her autobiography are also included.
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- Creators:
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McGuigan, Mary K.
- Dates:
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1794-1938
- Size:
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0.6 Linear feet
- Collection ID:
- AAA.mcgumary
- Repository:
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Archives of American Art
The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.
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- Creators:
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Weir family
- Dates:
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1809-circa 1961
bulk 1830-1920
- Size:
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0.8 Linear feet
- Collection ID:
- AAA.weirweir
- Repository:
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Archives of American Art
The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.