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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1966-2017
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 19-136
Repository:
Smithsonian Institution Archives

This accession consists of records documenting declined artwork offered by artists, private collectors, dealers, art galleries, foundations, corporations, and through estates and loans to the Smithsonian American Art Museum. Earlier records date back to when the museum was known as the National Museum of American Art and the National Collectio...

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Creators:
National Museum of American Art. Office of Public Affairs
Dates:
circa 1968-1989
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 94-102
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records produced by the Office of Public Affairs, National Museum of American Art (NMAA). These records include outgoing and incoming correspondence of Margery Byers, former Chief of the office of Public Affairs, from 1977 to 1989; NMAA exhibition publications, brochures, and posters; lists of exhibition ...

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Creators:
National Endowment for the Arts, Visual Arts Program
Dates:
1969-1989
Size:
15.5 Linear feet
Collection ID:
AAA.natiendo
Repository:
Archives of American Art

The selected records of the National Endowment for the Arts, Visual Arts Program measure 15.5 linear feet and date from 1969 to 1989. The records contain supporting documentation for grant applications awarded and final reports submitted to the NEA's Visual Arts Program in the categories of: Workshops (1972-1976), Workshops/Alternative Spaces (1976-1979), Artists' Spaces (1980-1982), and Visual Artists Organizations (1983-ca.1987). Included are a variety of materials, such as slides, photographs, sound and video recordings, letters, resumes, newsletters, financial reports, operational procedures, and printed materials. After circa 1990, the NEA began returning supporting documentation to the applicants, hence, no records from the 1990s are included, although grants were awarded in the Visual Artists Organizations category until 1995.

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Creators:
National Museum of American Art and Portrait Gallery. Library
Dates:
circa 1910-1986
Size:
10.43 cu. ft. (20 document boxes) (1 12x17 box)
Collection ID:
Record Unit 333
Repository:
Smithsonian Institution Archives

This collection consists primarily of brochures, booklets, and books cataloging single exhibitions at the National Gallery of Art, the National Collection of Fine Arts, the National Museum of American Art, and the Renwick Gallery. Also included are a few catalogs from exhibitions of SITES. There are catalogs from exhibitions staged by the ...

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Creators:
Stendahl Art Galleries
Dates:
1907-1971
Size:
7.5 Linear feet
Collection ID:
AAA.stenartg
Repository:
Archives of American Art

The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.

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Creators:
Herskovits, Melville J. (Melville Jean), 1895-1963
Dates:
1928-1934
Size:
736 negatives (photographic) (+contact prints (5 v.), black & white, 3 x 4 in.)
736 Photographic prints ((6 v.), black & white, 3 x 4 in.)
Collection ID:
EEPA.1986-029
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Melville J. Herskovits during his trips with his wife, Frances Shapiro Herskovits, to Surinam (1928-29); Dahomey, now Republic of Benin (1931); Haiti (1934); and Brazil (1941-42). From 1928 to 1943 Melville Herskovits and his wife, Frances Herskovits (nee Shapiro) traveled together throughout West Africa and the Americas to collect evidence of the legacy of African culture. The contributions of Frances Herskovits to her husband's research were fully recognized in an exhibition held by the Mary and Leigh Block Museum of Art at Northwestern University, from April 2-August 9, 1998. Entitled, "Living Tradition in Africa & the America: The Legacy of Melville J. and Frances S. Herskovits," the brochure noted, "On each trip, Frances was a full partner in the research...Until Melville's death in 1963, they worked together on the analysis of their data and the writing of books and articles; and after he died, she edited a collection of his papers."

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1972-1984
Size:
201.4 linear meters.
Collection ID:
Record Unit 613
Repository:
Smithsonian Institution Archives

These records concern the operation of the Office of the Secretary from 1972 to the end of S. Dillon Ripley's tenure as Secretary of the Smithsonian Institution. The records document the Smithsonian's on-going operations -- internal, with other government Offices and departments, and with foundations, universities, and other outside organizat...

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Creators:
Johnson, Eastman, 1824-1906
Dates:
1851-1899
Size:
0.2 Linear feet
Collection ID:
AAA.johneast
Repository:
Archives of American Art

The letters of Eastman Johnson measures 0.2 linear feet and contains 12 items that date from 1851 to 1899. The letters provide scattered documentation of his career as a painter and printmaker.

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Creators:
Schwarcz, June, 1918-2015
Fisch, Arline M.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 January 21
Size:
75 Pages (Transcript)
Collection ID:
AAA.schwar01
Repository:
Archives of American Art

An interview of June Schwarcz conducted 2001 January 21, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Schwarcz's home and studio, Sausalito, California.

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Creators:
Smithsonian American Art Museum. Office of Design and Production
Dates:
1970-2000
Size:
4.08 cu. ft. (4 record storage boxes) (1 oversize folder)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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