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Creators:
Hammersley, Frederick, 1919-2009
Dates:
circa 1860-2009
bulk 1940-2009
Size:
34.75 Linear feet
Collection ID:
AAA.hammfred
Repository:
Archives of American Art

The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 34.75 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
Constable, W. G. (William George), 1887-1976
Dates:
1905-1983
bulk 1920-1976
Size:
25.7 Linear feet
Collection ID:
AAA.conswmgp
Repository:
Archives of American Art

The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Anacostia Museum. Education Department
Dates:
1967-1994
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 95-050
Repository:
Smithsonian Institution Archives

These records document the activities of the Department of Education, Anacostia Neighborhood Museum. The records include correspondence and memoranda to and from the Chief of the department, Zora Martin-Felton, exhibition scripts and related materials, administrative files, committee reports and meeting minutes, appointment calendars, and...

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Creators:
Diamond, Martin
Dates:
1928-2013
Size:
3.2 Linear feet
Collection ID:
AAA.diammart2
Repository:
Archives of American Art

The papers of New York art dealer, writer and teacher Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.

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Creators:
Wilson, Ellis, 1899-1977
Dates:
1922-1959
bulk 1940s
Size:
0.2 Linear feet
Collection ID:
AAA.wilselli
Repository:
Archives of American Art

The papers of African American painter and illustrator Ellis Wilson measure 0.2 linear feet and date from 1922 to 1959, with the bulk of the collection dating from the 1940s. The collection includes certificates, correspondence, printed material, and photographic material. The bulk of this collection is composed of photographs.

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Creators:
Ireland, Leroy, 1889-1970
Dates:
1916-2007
bulk 1960-1971
Size:
2 Linear feet
Collection ID:
AAA.irellero
Repository:
Archives of American Art

Art dealer Leroy Ireland's research material on George Inness measures 2.0 linear feet and dates from 1916 to 2007, with the bulk of the material dating from 1960 to 1971. The collection documents Ireland's research for his book The Works of George Inness: An Illustrated Catalogue Raisonne through correspondence, research files, and photographs of artwork.

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Creators:
National Museum of American History. Department of Public Programs
Dates:
circa 1977-1994
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 96-001
Repository:
Smithsonian Institution Archives

This accession consists of the records of Shirley E. Cherkasky, who served as Coordinator of Performance Programs at the National Museum of American History (NMAH), Department of Public Programs, from 1983 to 1995. Also includes records that date back to when Cherkasky was Director of Museum Programs in the Division of Performing Arts, 19...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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