Richard E. Grant (1927-1995) was an invertebrate paleontologist and authority on Permian Brachiopods. He served as Curator, Chairman, and Senior Geologist in the Department of Paleobiology, National Museum of Natural History (NMNH) from 1972 until his death. These papers document Grant's professional career and include correspondence, memorand...

These papers document much of the career of Wilcomb E. Washburn (WEW), the greater part of it spent on the staff of the Smithsonian Institution as a curator at the National Museum of American History and as director of the Office of American Studies. The papers include correspondence, draft and finished scholarly and popular articles, and...

The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Carpets forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

These records consist of correspondence of the members of the staff of the Division of Fishes, 1922, 1927-1965. Most of the correspondence is from domestic and foreign ichthyologists, aquarists, collectors, colleges and universities, museum officials, and the general public. The correspondence generally concerns the identification, exchange, ...

These records consist of incoming and outgoing correspondence documenting the operation of the Division of Vertebrate Paleontology, circa 1955-1974. Also included are plans of operation, circa 1947-1960; public inquiries for identification of specimens and information; and glass plate negatives which document the field work of Frederick W...

This collection reproduces a section of the first side (Side A) of National Air and Space Museum Archival Videodisc 6, a LaserDisc CAV format 12-inch (30 cm) optical disc published by the Smithsonian Institution in 1989, as individual videodisc frame captures. These digital images were created in 2003 by converting the NTSC video format output from an original copy of the videodisc to JPEG format still picture image files. NASM Archival Videodisc 6 reproduced National Aeronautics and Space Administration (NASA) photography of American lunar missions from 1964 to 1972, including Ranger, Surveyor, Lunar Orbiter, and Apollo missions. This small collection consists of a historical series assembled by the NASM Archives to provide background information on lunar exploration missions by the United States and the Soviet Union.

These records of the Department of Cultural History and its predecessor, the Department of Civil History, consist of administrative files including memoranda and correspondence concerning exhibits, general museum and departmental policies, the acquisition of objects, and the search for a curator; general correspondence with donors, researchers...

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records