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Dates:
2007
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Record Unit 9625
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Smithsonian Institution. Office of Printing and Photographic Services
Dates:
1976-1995
Size:
11.6 cu. ft. (20 tall document boxes)
Collection ID:
Accession 15-052
Repository:
Smithsonian Institution Archives

This accession consists of contact sheets for photographs of events occurring mostly in the Washington, D.C., area. Many of these images were created for the annual exhibit "History as Seen from the National Museum of American History," later renamed "The Year in Pictures: As Seen from the National Museum of American History." Events incl...

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Creators:
Susanne Hilberry Gallery
Hilberry, Susanne, 1943-2015
Dates:
1964-2016
bulk 1976-2016
Size:
5.8 Linear feet
10.1 Gigabytes
Collection ID:
AAA.susahilb
Repository:
Archives of American Art

The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.

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Creators:
National Museum of American Art. Office of Design and Production
Dates:
1967-1996
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 96-131
Repository:
Smithsonian Institution Archives

This accession consists of records which document planning for exhibitions at the National Museum of American Art (NMAA). Also included are records pertaining to departmental issues in the museum. Materials consist of general correspondence, memoranda, and notes; correspondence of David B. Keeler, Chief of Design and Production, 1973-1985; exh...

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Creators:
Hoffbauer, Charles, 1875-1957
Dates:
1891-1975
Size:
6.5 Linear feet
Collection ID:
AAA.hoffchar
Repository:
Archives of American Art

The papers of painter Charles Hoffbauer measure 6.5 linear feet and date from 1891 to 1975. The papers document his career through biographical material, correspondence, writings and notes, personal business records, printed materials, and photographic materials.

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Creators:
Paik, Nam June, 1932-2006
Dates:
1832-2008
bulk 1960-2000
Size:
55 Linear feet
Collection ID:
SAAM.NJP.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

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Creators:
Christine Burgin Gallery
Dates:
1980-2016
Size:
18 Linear feet
52.28 Gigabytes
Collection ID:
AAA.chriburg
Repository:
Archives of American Art

The records of Christine Burgin Gallery, a New York City gallery representing conceptual artists from the United States and Europe, measure 18 linear feet and 52.28 GB, and date from 1980-2016. The collection documents the gallery's activities, projects, and relationships with artists through administrative files and business records, artist files, exhibition files, and client files. Artist files comprise nearly half of the collection and contain correspondence with artists and project files for numerous publications and editions the gallery produced in collaboration with artists. Some material is in born-digital form, including images of artwork and installations, slide shows, document files, as well as audiovisual recordings. The collection also contains two analog video recordings. Files dating from after the gallery's closure include additional correspondence, invoices, and project files.

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Creators:
Morrison, Joseph Paul Eldred
Dates:
1923-1973 and undated
Size:
1.5 cu. ft. (3 document boxes)
Collection ID:
Record Unit 7376
Repository:
Smithsonian Institution Archives

The largest portion of Morrison's papers consists of professional correspondence written and received between 1923 and 1973. It documents his research interests and the extent of his influence as an adviser and research editor to students and colleagues worldwide in malacological matters. In addition there are small groups of letters, not...

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Creators:
Andrea Rosen Gallery
Dates:
circa 1990-2017
Size:
189.5 Linear feet
Collection ID:
AAA.andrrose
Repository:
Archives of American Art

The Andrea Rosen Gallery records measure 189.5 linear feet and date from circa 1990-2017. Included are administrative files, artists files, press files, exhibition files, correspondence, financial records, and photographs, including a snapshot series taken by Andrea Rosen. A portion of the material is in digital format.

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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