551 records — Page 47 of 56
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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1850-1957
Size:
55 Boxes (approximately.)
Collection ID:
NMAH.AC.0060.S02
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.

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Creators:
Smithsonian Institution, Smithsonian Business Ventures, Product Development and Licensing
Dates:
1971-2005
Size:
42 cu. ft. (42 record storage boxes)
Collection ID:
Accession 07-001
Repository:
Smithsonian Institution Archives

This accession consists of records which document the processes of Product Development and Licensing at Smithsonian Business Ventures. The unit's primary function is to generate revenue for the Institution through the licensing and development of products related to collections within the Smithsonian museums. Some of these products include ...

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Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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Creators:
Metchewais [McLain], Kimowan
Dates:
1991-2011
Size:
871 negatives (photographic)
1918 slides (photographs)
989 polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Collection ID:
NMAI.AC.084
Repository:
National Museum of the American Indian

The collection of Kimowan Metchewais [McLain], significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.

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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1964-1971
Size:
116.4 linear meters.
Collection ID:
Record Unit 99
Repository:
Smithsonian Institution Archives

These records reflect the growing scope and complexity of the Smithsonian during Ripley's tenure. They document the Smithsonian's changing administrative structure; growing relationships with universities, foundations, and other external groups; efforts to attract more government support for the Smithsonian; pursuit of new initiatives and...

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Creators:
National Museum of American History. Department of Exhibits
Dates:
1957-1992
Size:
35.58 cu. ft. (35 record storage boxes) (1 12x17 box) (1 oversize folder)
Collection ID:
Record Unit 551
Repository:
Smithsonian Institution Archives

These records consist of exhibition design, production, and installation information including proposals and narratives, scripts, schedules, graphic designs, construction contracts and specifications, floor plans, blueprints, schematic drawings, and photographs. The records also include Department of Exhibits administrative files such as corre...

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Creators:
Barnard, George Grey, 1863-1938
Dates:
circa 1860-1969
bulk 1880-1938
Size:
11.6 Linear feet
Collection ID:
AAA.barngeor
Repository:
Archives of American Art

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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Creators:
Renwick Gallery. Office of the Director
Dates:
1967-1988
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 465
Repository:
Smithsonian Institution Archives

This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the permanent collections of the Renwick ...

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Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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551 records — Page 47 of 56