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Creators:
Brown and Williamson.
Johnson, Virgil
American Tobacco Company.
Benson and Hedges.
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Dates:
circa 1890-1997
Size:
25 Cubic feet (26 boxes)
Collection ID:
NMAH.AC.0645
Repository:
Archives Center, National Museum of American History

As a teenager, Virgil Johnson [b.1918] became interested in the designs and symbols on cigarette packs like "Black Cat" and "White Roll", and he began actively collecting in the 1930s. His interest intensified during the 1940s when he was stationed in North Africa and across the Mediterranean region as a photographer with the U.S. Navy. Mr. Johnson collected cigarette packs for over fifty years, and was a member of the Cigarette Pack Collector's Association. Approximately 6000 cigarette packages, foreign and American, arranged in 24 albums. Manufacturers include names such as those shown below.

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Creators:
Di Mare, Dominic, 1932-
Dates:
1950-2003
Size:
3.2 Linear feet
Collection ID:
AAA.dimadomi
Repository:
Archives of American Art

The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs.

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Creators:
Ferrara, Jackie
Berman, Avis
United States. General Services Administration. Design Excellence and the Arts Oral History Project
Dates:
2009 January 16-February 13
Size:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Collection ID:
AAA.ferrar09
Repository:
Archives of American Art

An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.

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Creators:
Waterman, T. T. (Thomas Talbot), 1885-1936
Dates:
undated
Size:
156 Pages
Collection ID:
NAA.MS3183
Repository:
National Anthropological Archives

Also sketch maps of (1) S.W. Oregon showing the Indian geographic names, Chetco and Rogue River area, and (2) of N.W. California showing Indian geographic names, Tolowa area; Plates showing map of rancheria of the Tututoni (Tututunne) and vicinity on Rogue River; map of rancheria and vicinity near main settlement on Rogue ; map of main rancheria of...

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Creators:
Cole, Alphaeus Philemon, 1876-1988
Dates:
1885-1988
Size:
4.5 Linear feet ((on 12 microfilm reels))
Collection ID:
AAA.colealph
Repository:
Archives of American Art

Biographical material; diaries; correspondence, financial material; notes; writings; art work; printed material; and photographs

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Creators:
De Swart, Jan, 1908-
Dates:
1916-1994
Size:
4.3 Linear feet
Collection ID:
AAA.deswjan
Repository:
Archives of American Art

The papers of southern California sculptor and inventor Jan de Swart measure 4.3 linear feet and are dated 1916-1994. They consist of correspondence, records concerning de Swart's inventions, writings, printed material, miscellaneous records, and photographs.

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Creators:
Schofield, Walter Elmer, 1867-1944
Dates:
1885-1974
Size:
0.8 Linear feet ((on 2 microfilm reels))
Collection ID:
AAA.schowalt
Repository:
Archives of American Art

Biographical material, correspondence, business records, notes, printed material and photographs document the career of landscape painter Walter Elmer Schofield.

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Creators:
Koehler, S. R. (Sylvester Rosa), 1837-1900
Dates:
1833-1904
bulk 1870-1890
Size:
5.4 Linear feet
Collection ID:
AAA.koehsylv
Repository:
Archives of American Art

The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

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Creators:
Johnson, Frederick, 1904-1994
Museum of the American Indian, Heye Foundation
Dates:
1924-1931
Size:
1.5 Linear feet
450 Negatives (photographic) (black and white)
Collection ID:
NMAI.AC.001.038
Repository:
National Museum of the American Indian

The Frederick Johnson collection consists of original negatives made from 1924 to 1931 by Johnson primary among the Mi'kmaq, Innu, Algonquin, Potawatomi, Montagnais, Abenaki, Anishinaabe, and Mistassini Cree peoples of Nova Scotia, Newfoundland and Quebec, Canada. Frederick Johnson began his anthropological studies as a teenager, accompanying anthropologist Frank G. Speck (1881-1951) on trips to Native communities in Eastern Canada. Between 1923 and 1929, Johnson studied at the University of Pennsylvania and conducted several research trips in Canada, some of which were sponsored by the Museum of the American Indian, Heye Foundation.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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