8447 records — Page 466 of 845
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Creators:
Osborne, Lilly de Jongh
Dates:
undated
Size:
3 prints and postcards (silver gelatin)
1 Color slide
1 Postcard (color halftone)
Collection ID:
NAA.PhotoLot.97-1
Repository:
National Anthropological Archives

Images of Indigenous Guatemalans bearing loads on their backs, a ceremonial greeting in Guatemala City, a Guatemalan businessman on the road to San Felipe, and Lake Atitlan.

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Creators:
Ubelaker, Douglas H.
Dates:
circa 1980
Size:
12 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.92-36
Repository:
National Anthropological Archives

Photographs of human bone used in the Cultural Resource Management Studies publication issued by the Department of Interior in 1980. Some of the images show the results of excavations in South Dakota and Maryland, views of masses of bones in an ossuary in Maryland and burial urns in Ecuador, and an example of trephination.

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Creators:
Brown, Josephine E.
Dates:
circa 1932
Size:
9 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.91-4
Repository:
National Anthropological Archives

Photographs made on Fort Berthold Indian Reservation in North Dakota, depicting an encampment, a rodeo, dancers, and gatherings of Native Americans, including Little Sioux, Foolish Woman, Deer's Heart, and Bear on the Flat. The photographs were previously mounted in an album.

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Creators:
Doubleday, Ralph R., 1881-1958
Dates:
1928
Size:
1 Photographic postcard (silver gelatin)
Collection ID:
NAA.PhotoLot.98-71
Repository:
National Anthropological Archives

Image of parade of Native Americans during the 1928 Pendleton Round-up in Pendleton, Oregon.

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Creators:
Zehr, Howard
Dates:
1991
Size:
6 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.92-13
Repository:
National Anthropological Archives

Photographs made by Howard Zehr in September 1991 depicting Southern Cheyenne chiefs, including Lawrence Hart, Alfrich Heap-of-Birds, Joe Antelope, Everett Wilson, Lucian Twins, and Rollin Haag. The men were photographed wearing blankets, headdresses, war medals, and a George Washington and an Andrew Jackson peace medal. The photographs were made...

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Creators:
Pohrt, Richard A.
Dates:
undated
Size:
2 Copy prints
Collection ID:
NAA.PhotoLot.93-15C
Repository:
National Anthropological Archives

Photographs collected by Richard A. Pohrt, including an image of a Crow man in warrior regalia on horseback, identified by Pohrt as being Spotted Jack Rabbit on the basis of comparison with Rinehart negative #782 (in Photo Lot 59), and an Assiniboin or Gros Ventre camp with two men and tipis.

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Creators:
Beam, George L. (George Lytle), 1868-1935
Dates:
undated
Size:
2 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.87-2A
Repository:
National Anthropological Archives

The collection consists of two photographs, one depicting Spruce Tree House in Mesa Verde and the other depicting a man standing by a Pueblo building.

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Creators:
Ferry, Cornelia
Dates:
circa 1897
Size:
100 Prints (Album :, silver gelatin)
Collection ID:
NAA.PhotoLot.95-14
Repository:
National Anthropological Archives

Photographs depicting land formations, canyon walls, and personnel and students at the Havasupai Indian school in Cataract Canyon. There are also some images of Havasupai camps, cooking, and baskets.

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Creators:
Wright, Bill
Dates:
circa 1986-1993
Size:
54 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.98-39
Repository:
National Anthropological Archives

Photographs made in connection with Wright's book The Tiguas: Pueblo Indians of Texas. They include images of Tiwa Indians, ceremonies, processions on the days of St. John and St. Anthony, dancers, bread-making, pottery, dwellings, the Tigua Visitor Center, Mount Carmel Mission, and Gran Quivira. Many photographs show Tiwa individuals at their plac...

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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1904
Size:
1 Mounted print (platinum)
Collection ID:
NAA.PhotoLot.96-17
Repository:
National Anthropological Archives

Photograph published by Edward S. Curtis titled "The Vanishing Race," depicting a Navajo group on horseback riding away from the photographer. The recto of the print is signed by Edward S. Curtis in ink, and the copyright notice appears in blindstamp.

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8447 records — Page 466 of 845