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Creators:
Gilliam, Sam
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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Creators:
Mechanical and Civil Engineering, Division of
Beers, E.R.
Dates:
1909-1938
Size:
6.3 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.0232
Repository:
Archives Center, National Museum of American History

The collection documents E.R. Beers's business records, his personal collection of Edison trivia, and correspondence between Beers and General Electric (1909-1922).

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Creators:
National Endowment for the Arts, Visual Arts Program
Dates:
1967-1997
Size:
177 Linear feet ((includes 60,000 slides and approximately 400 videos))
Collection ID:
SAAM.Photo.NEA
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The collection documents over 5,270 artists who received awards from the National Endowment for the Arts national Visual Artists Fellowship Program and its companion regional programs from 1967 to 1997.

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Creators:
Schaeffer Galleries
Dates:
circa 1921-1982
bulk 1935-1950
Size:
1.6 Linear feet
Collection ID:
AAA.schagall
Repository:
Archives of American Art

The Schaeffer Galleries records measure 1.6 linear feet and date from circa 1921 to 1982, with the bulk of the material dating from 1935-1950 when the gallery was most active. Owned by Hanns S. and Kate Schaeffer, the gallery first operated in Berlin from 1925 to 1939 and later in New York City from 1936 to circa 2000. Correspondence, subject and exhibition files, purchase records, printed materials, and photographs document the gallery's operations. Primary correspondents include art collector Arthur C. Tate and the gallery's Pacific Coast Director LeRoy Backus.

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Creators:
Bethlehem Steel Corporation
Washington Steel Corporation
Dates:
1947-1994
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1443
Repository:
Archives Center, National Museum of American History

The collection contains photographs and safety materials from the Washington Steel Corporation, a manufacturer based in Washington, Pennsylvania.

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Creators:
Rodríguez, Arturo, 1956-
Demi, 1955-
Dates:
circa 1957-2016
Size:
6.42 Linear feet
12.79 Gigabytes
Collection ID:
AAA.rodrartu
Repository:
Archives of American Art

The papers of Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.

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Creators:
Lipman, Howard, 1905-1992
Dates:
1848, 1916-2000
Size:
46.6 Linear feet
Collection ID:
AAA.lipmhowa
Repository:
Archives of American Art

The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.

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Creators:
ACA Galleries
Dates:
1917-1963
Size:
1 Linear foot
Collection ID:
AAA.acagall
Repository:
Archives of American Art

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

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Creators:
Pomerantz, Louis
Dates:
1937-1988
bulk 1950-1988
Size:
34.2 Linear feet
Collection ID:
AAA.pomeloui
Repository:
Archives of American Art

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

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Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

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