The papers of German American painter and educator Karl Zerbe measure 5.1 linear feet and date from 1928 to 1996. The papers document Zerbe's career through biographical material, writings and journals, art gallery records, financial records, printed material, photographs, documentary film materials, and home movies.

This accession consists of the records of Niani Kilkenny, former Director of the Program in African American Culture (PAAC), which primarily document the planning for and the activities of the Duke Ellington Youth Project. The project is designed to introduce District of Columbia high school students to the legacy of Duke Ellington in order ...

This accession consists of records that document two events of the Latin Music Program: "Boleros: Romantic Songs of the Americas," a Latin music conference and festival; and "Enlances: Connecting Communities through Latin Music," a concert and educational series to promote the origins and diverse genres inherent in Latin music. The Latin Music...

These records consist of video recordings of "Jazz Workshop at the Smithsonian" (one 2" Quad videotape; three 3/4" U-Matic videocassettes), recorded March 6, 1979 and December 17, 1978 respectively. They were originally produced by Martin Williams for the Division of Performing Arts, and maintained by the Office of Telecommunications.

Interview of Liliana Porter, conducted by Judith Richards for the Archives of American Art, Smithsonian Institution in Rhinebeck, NY, on June 27-28, 2012.

The Dwinell Grant papers measure 0.8 linear feet and date from 1930 to 1988. The papers document Grant's career as a painter and filmmaker through awards and certificates, interviews, resumes, and other biographical material; correspondence with friends, colleagues, and art institutions; manuscripts and other writings; business records with Olympia Gallery and Martin Diamond Fine Arts and Graham Gallery; and brochures, exhibition announcements, exhibition catalogs, and other printed material.

The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

The Gerber Fabric Cutter S-70 is part of a systematic approach to layout and cutting that has revolutionized the needle trades. This video history contains original, master, and reference videos, Dictaphone microcassettes, and tape digests and notes documenting the development, operation and use of the Gerber Fabric Cutter S-70 in three locations: H.I.S., Inc., in Bruceton, Tennessee (Chic blue jeans use of cuter); General Motors in Grand Rapids, Michigan (automotive use of the cutter); and Gerber Scientific Instrument Company in Hartford, Connecticut (Gerber corporate office and invention factory). The video footage documents H. Joseph Gerber, engineers, assembly workers, operators, and other technicians who worked with the cutter at the three locations. The footage from the Tennessee and Michigan sites provides insight into the complexity of introducing a new technology into the workplace and documents operators and managers discussing the effect of the cutter on workflow, quality, personnel, and attitudes towards the job. The footage from the Connecticut site documents the engineers who developed the cutter and provides valuable insight into the invention process. This collection includes oral history audio tapes, original, master, and reference videos, and notes documenting visits to Bruceton, Tennessee, Grand Rapids, Michigan, and Hartford, Connecticut.

The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.