Collapse [ ]
Expand
- Creators:
-
National Collection of Fine Arts. Fine Arts Lending Program
- Dates:
-
circa 1965-1980
- Size:
-
5 cu. ft. (5 record storage boxes)
- Collection ID:
- Record Unit 445
- Repository:
-
Smithsonian Institution Archives
These records consist of administrative files of the Program, including a large volume dealing with loans to the White House. Other records relating to the Lending Program can be found in Record Unit 453, the Office of the Registrar.
Found In
Collapse [ ]
Expand
- Creators:
-
National Portrait Gallery, Administrative Office
- Dates:
-
1963-1987
- Size:
-
9.2 linear meters.
- Collection ID:
- Record Unit 379
- Repository:
-
Smithsonian Institution Archives
This record unit documents the activities and efforts of the Administrative Office to acquire objects and portraits, most notably correspondence with art collectors and professional artists. The records include correspondence and memoranda with various art collectors, professional artists, domestic and foreign museums, educational institutions...
Found In
Collapse [ ]
Expand
- Creators:
-
Warshaw, Isadore, d. 1969
- Dates:
-
1738-1940
- Size:
-
0.94 Cubic feet (consisting of 2 boxes, 2 folders, 3 oversize folders.)
- Collection ID:
- NMAH.AC.0060.S01.01.Birds
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Birds forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
Joseph Kaplan papers
Collapse [ ]
Expand
- Creators:
-
Kaplan, Joseph, 1900-1980
- Dates:
-
1915-1977
- Size:
-
4.5 Linear feet
- Collection ID:
- AAA.kapljose
- Repository:
-
Archives of American Art
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.
Found In
Collapse [ ]
Expand
- Creators:
-
Warshaw, Isadore, d. 1969
- Dates:
-
1886-1964
undated
- Size:
-
1.49 Cubic feet (consisting of 3 boxes, 1 folder, 5 oversize folders, 1 map case folder, plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Fires
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Fires and Firefighting forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
Collapse [ ]
Expand
- Creators:
-
Archives Center, NMAH, SI.
Ravnitzky, Michael
- Dates:
-
circa 1900-present
- Size:
-
29 Cubic feet (55 boxes)
- Collection ID:
- NMAH.AC.0404
- Repository:
-
Archives Center, National Museum of American History
This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.
Found In
Collapse [ ]
Expand
- Creators:
-
Terry Dintenfass, Inc.
- Dates:
-
1947-1987
bulk 1961-1983
- Size:
-
22.1 Linear feet
- Collection ID:
- AAA.terrdint
- Repository:
-
Archives of American Art
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records are comprised of administrative files, correspondence, exhibition files, artists' files, and financial records.
Found In
Collapse [ ]
Expand
- Creators:
-
National Portrait Gallery, Office of Exhibitions
- Dates:
-
1980-1996
- Size:
-
29 cu. ft. (29 record storage boxes)
- Collection ID:
- Accession 97-083
- Repository:
-
Smithsonian Institution Archives
This accession consists of records which document the work of the Office of Exhibitions on exhibitions that were mounted by the National Portrait Gallery (NPG) from 1980 to 1995. Major exhibitions undertaken by the NPG in this period, and documented in these records, include "Benjamin West and His American Students" (1980-1981); "Charles ...
Found In
Collapse [ ]
Expand
- Creators:
-
Goldring, N. (Nancy)
- Dates:
-
circa 1950-2015
- Size:
-
4.7 Linear feet
0.213 Gigabytes
- Collection ID:
- AAA.goldnanc
- Repository:
-
Archives of American Art
The papers of New York artist Nancy Goldring measure 4.7 linear feet and 0.213 GB and date from circa 1950-2015. Her career and personal life are documented through biographical material; personal and professional correspondence; writings; project and exhibition files; printed and digital material; scrapbooks; atwork; and photographic material. Notable correspondents include Lawrence Alloway, Robert Lax, and Leo Steinberg.
Found In
Collapse [ ]
Expand
- Creators:
-
Ellsworth, Scott, Dr.
Archives Center, NMAH, SI.
- Dates:
-
1938-1986
- Size:
-
7.7 Cubic feet (32 boxes)
- Collection ID:
- NMAH.AC.0111
- Repository:
-
Archives Center, National Museum of American History
The Pepsi Generation Collection is the result of an oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.